It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 23, 2017, 04:17 PM
http://postperspective.com/post-producer-tony-ruck...
Post producer Tony Rucker has joined Dallas-based editorial boutique 3008. He brings over a decade of post experience including work on commercial campaigns, branded content, 3D animation and visual effects projects. Before joining 3008, Rucker worked as a post producer at Post Asylum, Element X and Fast Cuts. Continue reading → May 23, 2017 The post Post producer Tony Rucker joins Dallas-based 3008 Editorial appeared first on Randi Altman's postPerspective.
May 23, 2017, 04:16 PM
http://www.philiphodgetts.com/2017/05/software-pro...
We’ve recently added new features to SendtoX – named Favorite ranges from Clips in a Sequence – and Lumberjack System where we developed a workflow for backLogger to support RED R3D media. SendtoX We added a new SendToX feature after we had been consulting on the best way to translate some logging from Premiere Pro CC […]
May 23, 2017, 03:33 AM
http://www.studiodaily.com/2017/05/autodesk-ready-...
A day of reckoning is coming closer for Autodesk customers. Starting June 1, customers who get product updates and technical support for perpetual licenses of Autodesk software with an annual maintenance plan will be hit with a 5% price increase. That increase will climb to 10% next year and 20% in 2019. Those users will […] The post Autodesk Ready to Push More Customers to Subscription Model appeared first on Studio Daily.
May 22, 2017, 02:29 PM
http://alex4d.com/notes/item/thx-innovator-named-i...
It is curious that iMovie for the Mac offers an auto-audio ducking feature, but Final Cut Pro X doesn't. Curious because the free iMovie and the $299 Final Cut Pro X share a great deal of code and resources. Audio ducking reduces the volume or dynamic range of other channels to make one channel’s sound easier to hear. Tom Holman is a veteran movie sound expert. Lucasfilm's THX cinema sound certification system is named after him. Since 2011 he has worked for Apple. Last week Apple was ...
May 22, 2017, 02:28 PM
https://www.asoundeffect.com/new-sound-effects-mot...
This week on A Sound Effect, we have easily-recognizable recordings and emotive drones you just can’t put your finger on. You’ll hear the growl and buzz of cruisers and motocross racers, the rhythmic footsteps of jogging on a treadmill, kitchen appliance foley, Americans protesting in Los Angeles, and UI sounds from futuristic devices. You’ll also experience creepy, complex atmospheres and distortions that were creatively recorded from drum and guitar effects. Whether you need an abstract ...
May 22, 2017, 08:12 AM
http://theangryvideoguy.com/index.php/2017/05/22/v...
Outpost VFX is a house based out of Bournemouth UK with a portfolio of film work including Life, Jason Bourne, and Nocturnal Animals. The company completed work for Daniel Espinosa’s film Life. They were one of several vendors on the project including DNeg and ILM.
#life#vfx breakdown#vfx breakdowns#outpost vfxMay 22, 2017, 03:43 AM
http://www.audiomediainternational.com/recording/h...
HHB Communications and its Soho-based, post-focused division Scrub have been named Avid’s EMEA Audio Top Channel Partner for 2016.
May 22, 2017, 03:42 AM
http://www.audiomediainternational.com/show-news/a...
Nugen Audio is previewing a significant technological update for its award-winning Halo Upmix plugin at AES Berlin.
May 21, 2017, 02:23 PM
http://www.hollywoodreporter.com/behind-screen/ali...
As Ridley Scott’s Alien: Covenant from Fox debuted to $36 million at the North American box office, the film’s visual effects supervisor Charley Henley of lead VFX house MPC says his first meeting with the director was "fairly overwhelming, he has a lot of art and you could see the scale of the film.
May 21, 2017, 02:23 PM
http://www.skwigly.co.uk/events/event/vfx-animatio...
Dive into the world of VFX and animation as we take you into the minds of our experienced panellists, including Alex Donne-Johnson, Creative Director at motion design studio Dazzle Ship, responsible for creating video for branding, broadcast, online and installations and Pete Allinson, Head of Design at multi-award winning broadcaster UKTV, the home of TV channels such as Dave and GOLD.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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