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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Premiere Pro Tip: Publish directly to Creative Clo

January 26, 2015, 10:32 AM

http://blogs.adobe.com/genesisproject/2015/01/prem...

Sometimes, even as an Adobe employee, you can’t keep up with all of the great stuff coming out of the product teams. Premiere Pro does YouTube! Such was the case when a co-worker asked me about publishing to YouTube.  Like many, he didn’t know that there are in fact YouTube presets, along with a large host of other presets for other services and devices.  These include things like Apple TV, Android tablets, Kindles, TiVo and the aforementioned YouTube and Vimeo.  To find them, simpl...

Output batches of clips from Final Cut Pro X story

January 26, 2015, 05:52 AM

http://www.fcp.co/final-cut-pro/news/1591-output-b...

Attention filmmakers, this is going to save you a lot of time. The new application PrimariesExporter lets editors export sets of clips with synced audio and effects from the primary storyline in FCPX. All with just a few clicks. 

Defending your choices – or not

January 26, 2015, 05:51 AM

http://www.thepoweredit.com/defending-your-choices...

A week ago today, I was in Crazy Man Mode. My team and I put on a three-hour live webcast, opening up a private meeting of our Los Angeles-based Power Edit Academy coaching group to the public. We screened Academy member edits and interacted with Power Edit friends from all around the world. It was […]

Transcode 4K ProRes 3x faster with FCPX

January 26, 2015, 05:50 AM

http://www.eoshd.com/2015/01/now-you-can-transcode...

I don’t use FCPX as my editor, and why should I use it to transcode media when we have Compressor for that?

Filling the box: The Never-Ending Pan & Scan Story

January 25, 2015, 02:14 PM

http://www.davidbordwell.net/blog/2015/01/25/filli...

The Limey (1999). DB here: Here’s a story, so far not finished.   Chapter 1: You can’t put ten pounds of mud in a five-pound sack (Dolly Parton) Once upon a time, before home video and cable, movies were broadcast on television. They might be drawn from local TV stations’ 16mm collections or transmitted from [...]

Media Composer 101 - Advanced - Creating SD DVD’

January 25, 2015, 02:10 PM

http://provideocoalition.com/kmcauliffe/story/medi...

In this week's Media Composer 101 tutorial, I'm going to show you four different DVD burning applications, and how simple they are to use, when creating your screening DVD's!

Why Digital Sprockets edits video with DaVinci Res

January 25, 2015, 06:51 AM

http://provideocoalition.com/atepper/story/why-dig...

Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine (film-to-tape) and film restoration services. While I’m in México City doing seminars, I visited Digital Sprockets and heard all 6 interesting reasons why Benjamín prefers editing video with DaVinci Resolve than with Final Cut Pro X.

Filmer (et monter) la boxe

January 24, 2015, 09:00 AM

https://journaldunemonteuse.wordpress.com/2015/01/...

Là où la fiction met scène la violence du combat par un découpage et un montage ciselé, le documentaire montre l’apparente banalité et choisit plutôt le plan séquence. Deux approches tout aussi véritables et engagées. 1- Boxing Gym de Frederick … Lire la suite →

Misery Loves Comedy: How Comedian Kevin Pollak Cut

January 24, 2015, 08:59 AM

http://kyleesportfolio.com/blog/?p=1787

I interviewed comedian Kevin Pollak about taking the reigns on the edit for his new documentary, learning to use Premiere Pro after three easy lessons from Rob Legato. Veteran comedian and actor Kevin Pollak is known for many things: a … Continue reading →

Using Neat Video: Exceptional Noise Reduction for

January 23, 2015, 07:40 PM

http://www.premiumbeat.com/blog/using-neat-video/

Is grainy footage ruining your project? Neat Video packs a powerful punch for reducing grain and noise in footage. In this post we'll show you how to get the most out of it in your projects. The post Using Neat Video: Exceptional Noise Reduction for Video appeared first on The Beat: A Blog by PremiumBeat.

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