It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 19, 2015, 10:25 AM
http://imgur.com/gallery/coswQ/new
In the first page it is pretty much the same sequence that is in the film, with the exception of the increased hostility between Somerset and Mills that was toned down in the film.
January 19, 2015, 10:23 AM
http://animationguildblog.blogspot.ca/2015/01/edit...
In this second installment of "Film Editing TV Cartoons", Robert Birchard describes Disney Television Animation's rapid growth and growing corporate structure...
January 19, 2015, 10:22 AM
http://www.mentorless.com/2015/01/19/3-techniques-...
What cinematic tools did Spike Jonze use to achieve suspension of disbelief in HER, and make the love story between Theodore and Samantha believable.
January 19, 2015, 06:03 AM
http://gizmodo.com/why-frame-rate-matters-16751531...
We all know the motion picture is a lie. That movement on screen? It's just a bunch of still images. Still images that seem more like believable, realistic, lifelike motion the faster they flicker along. Faster is better, and that 48 frame-per-second version of The Hobbit was just the beginning.
January 19, 2015, 06:02 AM
http://www.redsharknews.com/technology/item/2308-t...
Computer graphics are improving faster than Moore's law graphics processing unitGPUReal time processingreal time renderingNvidia
January 17, 2015, 03:37 PM
http://mentalfloss.com/article/54560/how-are-oscar...
The voting process that determines Oscar nominees is a long and complicated undertaking that involves more than 6000 voting members and hundreds of eligible films, actors, actresses, directors, cinematographers, editors, composers, and more.
January 17, 2015, 11:22 AM
http://kyleesportfolio.com/blog/?p=1782
“I hadn’t even heard of that movie until the nominations.” “Oh, it’s Oscar nominated? I’ll have to see it.” “I need to see all the best picture nominees before the Oscars are on!” How many times do you hear these … Continue reading →
January 16, 2015, 05:42 PM
http://www.digitalproductionbuzz.com/2015/01/trans...
GUESTS Matthijs Wouter Knol, Director, European Film Market , President, The Greenlight Coach Kai Pradel, CEO/Founder, MediaSilo
January 16, 2015, 05:42 PM
http://joyoffilmediting.com/index.php/archives/542...
Confession: I’ve watched “Glee” since its first episode in May 2009. I like the message of the show – acceptance – seeing GBLT characters as well as hetero-and metrosexual characters, and its often non-formulaic plots, issues, and nuances not to mention its musical numbers. As a member of Academy of Television Arts and Sciences (the […]
January 16, 2015, 05:42 PM
http://postperspective.com/format-archiving-digita...
The first in a semi-regular series of articles from this Nice Shoes colorist. By Lenny Mastrandrea Recently, I read an interesting commentary by Keith Phipps at The Dissolve, regarding the ongoing dispute between film and digital aficionados. While being interviewed for his new feature, Mr. Turner, director Mike Leigh claimed that the aversion of directors like Quentin Tarantino to digital as a format for feature films has no justification at this point. Leigh chooses to embrace digital b...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.