It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 9, 2017, 04:44 AM
http://designingsound.org/2017/08/post-perspective...
PostPerspective has published an article about BAFTA award winning Supervising Sound Editor Richard King (Interstellar, The Dark Knight) & his work on Dunkirk. You can read the full article here.
August 9, 2017, 04:44 AM
http://postperspective.com/richard-king-talks-dunk...
Using historical sounds as a reference By Mel Lambert Currently garnering critical acclaim for its stunning and immersive soundtrack — particularly the IMAX showcase screenings — writer/director Christopher Nolan’s latest film follows the fate of nearly 400,000 allied soldiers who were marooned on the beaches of Dunkirk, Continue reading → August 8, 2017 The post Richard King talks Dunkirk‘s sound design appeared first on Randi Altman's postPerspective.
August 8, 2017, 06:06 AM
http://www.audiomediainternational.com/show-news/p...
Audio Media International is giving its readers an extra week to submit entries for the Rising Star accolade at the 2017 Pro Sound Awards, as the hunt for the next pro audio up-and-comer continues.
August 7, 2017, 05:32 AM
http://designingsound.org/2017/08/sunday-sound-tho...
I’ve spent years working hard, honing my craft, trying to prove that interactive sound is worthwhile art. I take this stuff seriously, and I think sound that moves and breathes and lets you know it knows you’re there is a really powerful and important and serious thing. But let me tell you about my favorite thing […]
August 6, 2017, 05:49 AM
http://designingsound.org/2017/08/soundworks-colle...
SoundWorks Collection has published a spotlight video about BAFTA award-winning and Billboard/MTV VMA nominated composer Jesper Kyd (HITMAN, Borderlands, Assasins Creed, Blade Runner). (Source)
August 4, 2017, 04:59 AM
http://designingsound.org/2017/08/sound-in-its-isn...
O Grivo is a duo of Brazilian musicians-sound designers formed by Nelson Soares and Marcos Moreira, whose work can be currently seen and heard in the US as a part of the Soundtracks exhibition at the Museum of Modern Art in San Francisco. The duo has a broad palette of activities, ranging from film sound […]
August 2, 2017, 05:18 AM
http://designingsound.org/2017/08/soundminer-adds-...
In a recent article on audiokinetics blog, Justin Dury (Soundminer, Desktop Developer and Partner) showcases the upcoming addition of Wwise Authoring API (WAAPI) in Soundminer. For more details about the integration & a video showcasing it in action visit the audiokinetic blog.
August 2, 2017, 05:18 AM
https://www.asoundeffect.com/dunkirk-sound/
Reviews for Christopher Nolan’s Dunkirk have been incredible, and for good reason. It’s a truly spectacular film – and so is Dunkirk’s sound. Get the full story on how the film’s rich, dense, and immersive soundscape was created, in this A Sound Effect interview with Oscar-winning supervising sound editor Richard King...
August 1, 2017, 12:13 PM
http://www.avidblogs.com/audionamix-aax-audio-sour...
The article Audionamix: AAX Audio Source Separation Magic for Pro Tools by Ed Gray appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
August 1, 2017, 12:12 PM
http://designingsound.org/2017/08/monthly-theme-bu...
Is burnout inevitable? If so, how do you manage it? If not, how do you avoid it? Does it occur suddenly or gradually? Is it self-inflicted or the result of unrealistic expectations? It seems we’re in a world where clients no longer simply “pick two”, but expect you to hit the bullseye of the Good-Fast-Cheap vendiagram. As technology […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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