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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Loupedeck Creative Tool: now there is a Loupedeck

October 30, 2019, 01:14 PM

https://www.provideocoalition.com/loupedeck-creati...

From video or photo editing to music production, graphic and industrial design, the latest Loupedeck tool covers all facets of editing for creative professionals. Meet the Loupedeck Creative Tool. Facing... The post Loupedeck Creative Tool: now there is a Loupedeck for everyone! appeared first on ProVideo Coalition.

Contenders: Ad Astra Editors

October 28, 2019, 01:04 PM

http://www.btlnews.com/featured/contenders-ad-astr...

For editors John Axelrad and Lee Haugen, cutting James Gray’s Ad Astra was a new venture into the world of the film’s epic space journey. In addition to the advent, for a James Gray film, of overarching visual effects, Axelrad and Haugen had to manage a motion picture that was both one man’s intimate story […] The post Contenders: Ad Astra Editors appeared first on Below the Line.

MONTAGE WARS – SA

October 24, 2019, 01:01 PM

https://www.screeneditors.com.au/montage-wars-sa/

Montage Wars is Adelaide's first video editing competition! Six emerging Editors will compete to show off their editing artistry and speed. Each will have two hours to edit a music video. Join us for a fun, live and interactive event where you get to witness the edits emerging from the raw media while enjoying the […]

Night of the Demons (1988)

October 24, 2019, 01:00 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I've never heard so many disgusting stories in all my life.” — Judy Cassidy ...

ART OF THE CUT on editing “Zombieland: Doubletap

October 23, 2019, 01:06 PM

https://www.provideocoalition.com/aotc-zombieland-...

Dirk Westervelt, ACE is an ACE Eddie nominee for his work on Deadpool 2. His filmography also includes Logan – which was a previous Art of the Cut interview – Run All Night, and Journey to the Center of the Earth. Chris Patterson has been associate editor on An Unfinished Life, Casanova, and Sunshine Cleaning... The post ART OF THE CUT on editing “Zombieland: Doubletap” appeared first on ProVideo Coalition.

Coaching montage

September 28, 2019, 05:01 PM

https://journaldunemonteuse.wordpress.com/2019/09/...

En ce moment je coach Manon qui souhaite monter le film documentaire qu’elle a tourné pendant deux ans dans une maison de quartier et Vladimir qui aborde son premier montage avec un réalisateur et qui souhaite anticiper les problèmes. Avec … Lire la suite →

FilmConvert Nitrate: 19 classic film stocks and Ci

September 5, 2019, 05:54 AM

https://www.provideocoalition.com/filmconvert-nitr...

Premiere Pro and After Effects now, Final Cut Pro X and DaVinci Resolve by the end of 2019. That’s the roadmap for FilmConvert Nitrate, a plugin to create your own Pleasantville and much more. Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes they want more control over the final image.... The post FilmConvert Nitrate: 19 classic film stocks and Cineon Log film emulations appeared first on ProVideo Coalition.

ART OF THE CUT with Oscar nominee, Sandra Adair, A

September 3, 2019, 01:10 PM

https://www.provideocoalition.com/art-of-the-cut-w...

Sandra Adair, ACE, has a lengthy list of awards, starting with an ACE Eddie nomination for editing School of Rock (2004), and including an ACE Eddie win and an Oscar nomination for Boyhood (2014). Starting work as an assistant editor in the mid-70s, she graduated to the editor’s chair and also worked on features such... The post ART OF THE CUT with Oscar nominee, Sandra Adair, ACE appeared first on ProVideo Coalition.

Let’s Edit with Media Composer – Getting Start

September 3, 2019, 09:12 AM

https://www.provideocoalition.com/lets-edit-with-m...

In this lesson, Kevin P McAuliffe gives you a great introduction to the awesome Particle Illusion effect, included in the 2019.5 version of Continuum from Boris FX. We’re going to look at adding this effect to a real world scenario, and the end result shows that this effect can add an additional layer of realism... The post Let’s Edit with Media Composer – Getting Started with Particle Illusion appeared first on ProVideo Coalition.

CO-EDITING “DARK PLACE”

September 1, 2019, 06:00 AM

https://www.screeneditors.com.au/co-editing-dark-p...

By Adrian Powers and Lawrie Silvestrin ASE "Dark Place" - "Scout", "Foe", "Vale Light", "Killer Native”  by Adrian Powers. "Dark Place" is an Indigenous Horror Anthology commissioned by the ABC and Screen Australia (in collaboration with AFTRS) as part of the ‘Shock Treatment’ initiative — a program designed to find and foster new Indigenous Australian filmmaking […]

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