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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The World in HDR in 4K (UHD)

March 15, 2017, 04:32 PM

http://www.studiodaily.com/2017/03/the-world-in-hd...

Give your best display a workout with this compilation of clips from filmmakers Jacob & Katie Schwarz of Mystery Box.  The post The World in HDR in 4K (UHD) appeared first on Studio Daily.

Sound Design Corporation Delivers for the GRAMMY®

March 15, 2017, 01:59 PM

http://boscpug.org/sound-design-corporation-delive...

Blackmagic Design today announced that Sound Design Corporation uses Fairlight DAWs with Xynergi controllers to deliver audio for major award shows, including the 59th Annual GRAMMY® Awards.

An Introduction to Procedural Modeling in Houdini

March 15, 2017, 01:58 PM

http://lesterbanks.com/2017/03/procedural-modeling...

Working procedurally is the pinnacle of 3d workflow. Animating? Animate procedurally and keep flexibility within the pipeline. Procedural modeling? Model this way and retain pliability in your work. People really seem to latch on to procedural The Post An Introduction to Procedural Modeling in Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks

Can You Be Good at Video Editing with More Than On

March 15, 2017, 01:58 PM

http://www.fcp.co/final-cut-pro/articles/1940-can-...

Not just being able to operate another NLE, but be good at it, able to sit next to a paying client working under time pressure. Is theres a lot of common ground? On the 25th anniversary of Adobe's Premiere launch, are NLE’s all becoming the same or are they getting more specialised?

"Make The Cut" with Adobe Premiere Pro

March 15, 2017, 08:13 AM

http://www.premierebro.com/blog/make-the-cut-with-...

ADOBE'S MAKE THE CUT CONTEST PUTS YOU IN THE EDIT CHAIR OF IMAGINE DRAGONS' NEXT MUSIC VIDEO. Imagine this: YOU editing the next music video for Imagine Dragons. Now open your eyes and read on.

#adobe#premiere pro#contest#make the cut#imagine dragons
Benchmarking Adobe After Effects CC 2014 vs. 2017

March 14, 2017, 08:35 AM

http://theangryvideoguy.com/index.php/2017/03/14/a...

A short continuation to my first article re: the removal of multiprocessing / multithreading from Adobe After Effects. I wanted to give it another shot with some different variables and this time on PC. I decided on one render test with all shape layers & vectors, and another render with only Element 3D. To see how lack of multiprocessing impacted these types of compositions.

#adobe#after effects#adobe after effects#cc 2017#cc 2014#multiprocessing#multithreading
Relinking placed content in Creative Cloud applica

March 14, 2017, 06:03 AM

http://blogs.adobe.com/jlockman/2017/03/13/relinki...

Customers who move from a file system to a Digital Asset Management (DAM) system such as Adobe Experience Manger Assets (AEM Assets) realize many benefits, including but not limited to more comprehensive search, access to augmented asset metadata, and workflows to syndicate content to multiple channels. Assets under management in many DAM systems tend to be locked in the DAM, accessible through a search interface that lets users collect assets for extraction from the DAM. Once the user down...

Review: Logic’s Astra PC keyboard for Resolve 12

March 14, 2017, 06:03 AM

http://postperspective.com/review-logics-astra-pc-...

By Brady Betzel I love a good keyboard. In fact, my favorite keyboards have always been mechanical, or pseudo-mechanical, like those old Windows keyboards you can find at thrift stores for under 10 bucks — in fact I went back and bought one just the other day at a Goodwill. Continue reading → March 13, 2017 The post Review: Logic’s Astra PC keyboard for Resolve 12/12.5 appeared first on Randi Altman's postPerspective.

Q&A: Mettle Co-founder Chris Bobotis on 360-Degree

March 13, 2017, 04:31 PM

http://www.studiodaily.com/2017/03/qa-mettle-co-fo...

Mettle just launched Skybox 360/VR Transitions 2 ($149), a new package of four effects — light leaks, spherical blurs and more — that doubles the number of 360 transitions available in its Skybox Suite ($499, all inclusive) of VR/360 post tools … more » The post Q&A: Mettle Co-founder Chris Bobotis on 360-Degree Workflow appeared first on Studio Daily.

VFX Breakdown – The Man From U.N.C.L.E.

March 13, 2017, 01:51 PM

http://theangryvideoguy.com/index.php/2017/03/13/v...

BlueBolt Ltd is a VFX hosue based out of London that specializes in 2D & 3D matte paintings and set extension VFX work. You can view breakdowns from their contribution to Guy Ritchie’s The Man From U.N.C.L.E. which demonstrates exactly that.

#guy ritchie#vfx breakdown#bluebolt#the man from u.n.c.l.e.#vfx breakdowns

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