It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 21, 2014, 01:12 PM
http://provideocoalition.com/adobe/story/log-and-r...
On October 16, colorist Robbie Carman presented LOG and RAW workflows on the Ask a Video Pro Adobe webinar series. The session was excellent and the participants had lots of great comments and questions. So many questions, in fact, that I asked Robbie if he would be willing to write answers to...
October 21, 2014, 01:12 PM
http://screenlight.tv/blog/2014/10/21/custom-video...
Have you ever finished your edit, uploaded your rendered video to ScreenLight to share it with your client only to discover that the thumbnail is a black frame? Well step right up because those days are over. That's right, you can now set a custom video thumbnail by simply scrubbing the video. In this post I will walk you through the steps. Read more » Have you ever finished your edit, uploaded your rendered video to ScreenLight to share it with your client only ...
October 21, 2014, 01:12 PM
http://blogs.adobe.com/premierepro/2014/10/creatin...
Leading entertainment production company produces sports venue and stadium entertainment with Adobe Premiere Pro CC When fans turn their attention to the big screens at sports’ biggest events, there’s a good chance that they’re watching the work of Van Wagner Big Screen Network Productions (VWBSN). Over the past three decades, Big Screen Networks established itself as the world’s leader in video board production for major sporting events, including the Olympic Games and World Cup to...
October 21, 2014, 01:11 PM
http://blog.invisionapp.com/designspaces-evernote-...
It’s important to be aware of inspiration that simply influences us versus inspiration that turns us into a copycat. Knowing the difference can help turn us into the type of creative worker we strive to be. As Evernote designer Joshua Taylor explains in this interview over at the InVision blog...
October 21, 2014, 09:36 AM
http://www.edaeditores.org/eda-se-integra-en-art-o...
Desde el mes de Octubre, las noticias y feed del portal de la EDA pueden encontrarse también en el sitio web canadiense Art Of The Guillotine (AOTG), la Asociación es colaboradora oficial junto a otras asociaciones profesionales de editores de todo el mundo. Entre ellas, ACE, ASE, CCE, EGIL, GBFTE, MPEG, NCE, NFK, SAE y SAGE. Visitá aquí las novedades de EDA en el portal […]
October 21, 2014, 04:49 AM
http://filmmakermagazine.com/87980-editing-today-b...
David Lean once called editing the soul of filmmaking. Today it’s more like the Mission Control.
October 21, 2014, 04:48 AM
http://filmink.com.au/news/whats-wrong-with-the-au...
Our editors aren’t given the chance to direct! They spend a lot of time inside, tend to be pale, and flinch slightly in the presence of directors. Imaginative and unappreciated, they’re a great untapped resource of this nation. No, I’m not talking about bloody writers. I’m talking about editors. In particular, editors who aren’t given the chance to direct, and it’s ruining our industry. How? I’ll tell you.
October 21, 2014, 04:46 AM
http://provideocoalition.com/ryoung/story/gone-gir...
You can join Adobe for a panel discussion with the editorial and post-production team behind the movie Gone Girl from director David Fincher. As you may have heard, the Fincher team leveraged Adobe Premiere Pro and After Effects in a workflow based on RED Dragon 6K raw footage files framed in 5K.
October 20, 2014, 12:44 PM
http://www.edaeditores.org/entrevista-edu-lopez/
El último 21 de septiembre falleció Eduardo López, destacado montajista de la historia del cine argentino y excelente persona y amigo. Habíamos publicado previamente una breve reseña sobre su trayectoria como compaginador. Entre sus reconocimientos más destacados se encuentran el Cóndor de Plata por mejor compaginación en “Últimos días de la victima” (1981) y por “Tiempo de Revancha” (1982) Queremos complementar el […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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