It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 20, 2017, 11:15 AM
http://www.doddlenews.com/news-room/hitfilm-pro-tu...
In our last lesson, in our look at learning HitFilm 2017, we talked about our the Viewer Toolbar located to the left of the viewer. In this lesson, I want to talk about Clip-based Parameters, and how you’re going to adjust them inside of your timeline.
February 20, 2017, 09:37 AM
http://www.premierebro.com/blog/the-2017-premiere-...
One of the best things about being a Premiere Pro user is the vast number of free resources available to us. Adobe Premiere Pro has a vibrant online community of users, and many of them are helpful contributors who offer tutorials and blog posts — all for free — to their Premiere Pro peers. Here are the top free Premiere Pro resources for 2017.
#adobe#premiere pro#tutorials#creative cloud#resourcesFebruary 20, 2017, 06:17 AM
http://www.provideocoalition.com/effects-bootcamp-...
If you’re a Media Composer editor looking to add After Effects to your editing toolkit, this first of a two part webinar series is a no-brainer! I’m always surprised with I talk with Avid Media Composer editors, and I ask them about how much the use Adobe’s After Effects. I think the main reason that The post After Effects Bootcamp for Avid Editors – Part 1 appeared first on ProVideo Coalition.
February 19, 2017, 08:27 PM
http://theangryvideoguy.com/index.php/2017/02/19/v...
Version 3.5 of V-Ray was released a week ago for 3ds Max, which is a free upgrade for v3 customers. Their main tagline is in regards to their Adaptive Lights algorithm which is claimed to Render up to 7x Faster.
#software#rendering#3d animation#3ds max#chaosgroup#v-rayFebruary 18, 2017, 09:31 AM
http://www.cgmeetup.net/home/v-ray-3-5-for-3ds-max...
V-Ray 3.5 for 3ds Max Release Webinar.
February 17, 2017, 07:12 PM
http://www.studiodaily.com/2017/02/vfx-supervisor-...
The Oscar nomination for visual effects in Laika’s stop-frame animated film Kubo and the Two Strings is Steve Emerson’s first. He joined Laika in 2008 to work as a 2D supervisor for that studio’s Coraline, became compositing supervisor on ParaNorman … more » The post VFX Supervisor Steve Emerson on Kubo and the Two Strings appeared first on Studio Daily.
February 17, 2017, 10:48 AM
http://www.goldderby.com/article/2017/mpse-golden-...
All five Oscar nominees for Best Sound Editing number among the nominees for the Golden Reel Awards bestowed by the Motion Picture Sound Editors. Oscar frontrunner “Hacksaw Ridge” reaped three bids across the seven film categories as did one of its Oscar rivals, “Arrival.” The other three Oscar nominees — “Deepwater Horizon,” “La La Land” and “Sully” — each received one nomination. “Arrival” is predicted to win the main prize of Sound Editing (Effects and Foley).
February 16, 2017, 01:16 PM
http://postperspective.com/behind-title-mti-colori...
NAME: Steve Porter COMPANY: MTI Film CAN YOU DESCRIBE YOUR COMPANY? We are a Hollywood-based post facility that specializes in TV finishing, film restoration and software development. AS A COLORIST, WHAT WOULD SURPRISE PEOPLE ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 16, 2017 The post Behind the Title: MTI colorist Steve Porter appeared first on Randi Altman's postPerspective.
February 16, 2017, 10:37 AM
http://theangryvideoguy.com/index.php/2017/02/16/v...
Nice focused breakdown from Alldin Dauti with work completed for Mindbender Animation Studio. Alldin did the simulation work in Houdini and it's a mix of swarming, collisions, with the breakdown showing some development & final setups.
#vfx#animation#3d animation#vfx breakdownFebruary 16, 2017, 07:34 AM
http://blogs.adobe.com/digitaldialogue/digital-mar...
I’m pleased to announce the 2017 Econsultancy/Adobe Digital Trends report is now available to download. More than 14,000 marketing and digital professionals around the world took part in this year’s survey – double the responses from last year and a substantial increase since we launched this annual survey in 2012. The survey results reinforce key trends around customer experience, content, data and culture. At Adobe we believe amazing customer experiences are a blend of art and sci...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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