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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Colonie provides editing, VFX for Toyota Corol

October 13, 2016, 05:13 PM

http://postperspective.com/the-colonie-provides-ed...

Chicago’s The Colonie has teamed with Burrell Communications to provide editorial, visual effects and design services for I Do, a broadcast spot introducing the 2017 Toyota Corolla. Creative editor Bob Ackerman edited with the carmaker’s tagline, “Let’s Go Places,” in mind. Fast-paced cuts and editing effects helped create an upbeat message that celebrates the new Corolla, Continue reading →October 13, 2016

Plural Eyes Enable’s You to Sync Audio

October 13, 2016, 12:30 PM

http://www.videoguys.com/blog/plural-eyes-ables-sy...

Chip Dizard gives us an inside look at Plural Eyes software that allows you to sync audio from multiple camera sources and line up audio tracks. Don’t miss the tutorial here! Plural Eyes for Audio Sync I wrote in an earlier blog post about audio for the Canon 5D MK II and Canon 7D and my Read More The post Plural Eyes Enable’s You to Sync Audio appeared first on Videoguys Blog.

A Quick Guide to Nesting in Premiere Pro

October 13, 2016, 05:44 AM

http://www.premiumbeat.com/blog/nesting-in-premier...

Nesting in Premiere Pro is a great tool for streamlining a long project. It's also great for combining more effects to a clip than is usually possible. Here’s how to use it.

20 Elegant Title Screens 2 from VFXnut

October 13, 2016, 05:43 AM

http://cinescopophilia.com/20-elegant-title-screen...

VFXnut have issued a 20 pack of Elegant Title Screens version 2, for use with the Apple Final Cut editing software.

The color and sound of Netflix’s The Get Down

October 12, 2016, 04:58 PM

http://postperspective.com/the-color-and-sound-of-...

The Get Down, Baz Luhrmann’s new series for Netflix, tells the story of the birth of hip-hop in late 1970s in New York’s South Bronx. The show depicts a colorful world filled with colorful characters, all pulsating to the rhythms of an emerging musical form. Shot on the Red Dragon and Weapon in 6K, Continue reading →October 12, 2016

5 Reasons You Should Use Adobe Stock for Enterpris

October 12, 2016, 12:37 PM

http://blogs.adobe.com/creativecloud/5-reasons-you...

Enterprises need to develop systems to achieve content velocity. There has never been a stronger demand to create high-quality content quickly and efficiently. The Content Marketing Institute reports that 88% of organizations use content marketing; however, investing in effective strategies and workflows is a major focus for businesses. Adobe Stock for enterprise can help accelerate your organization’s creativity by letting your team spend more time creating and less time managing stock as...

Final Cut Pro X Fincher Style Part One

October 12, 2016, 09:26 AM

http://www.fcp.co/final-cut-pro/articles/1863-fina...

Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction. 

Waves Element Workshop Part 1 - The Oscillators

October 12, 2016, 09:24 AM

http://logic-pro-expert.com/logic-pro-blog/2016/10...

In part 1 of a new 4-part series on how to use the Waves Element 2.0 Virtual Analog Synth, Eli Krantzberg show you how the Oscillator section works, and how to use them to build a simple synth bass sound.

How the sound of Westworld is made

October 12, 2016, 09:24 AM

http://www.asoundeffect.com/westworld-sound/?utm_s...

Excitement for ‘Westworld’ – HBO’s new sci-fi / western (!) series – is booming, and for good reason: It’s spectacular, and viewers as well as reviewers are loving it. This exclusive A Sound Effect story, told by Emmy-winning supervising sound editor Thomas deGorter, takes you behind the sound for the series...

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