It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 30, 2014, 09:56 AM
http://www.postmagazine.com/Press-Center/Daily-New...
MYRTLE CREEK, OREGON — Artbeats ( www.artbeats.com) , a provider of royalty-free stock footage, announces the celebration of 25 years in business. Founded in 1989, with an opportunity to supply background images to the growing desktoppublishing industry , Artbeats has since grown considerably, providing royalty-free stock footage for broadcast, feature films, commercial, multimedia, game development and independent producers.
July 29, 2014, 09:52 AM
http://filmmakermagazine.com/86912-lucy-making-mat...
In a statement published in the Nov. 24, 1962 Film Culture, Pier Paolo Pasolini thought about how a simple metaphor can be conveyed onscreen, starting from one solution he rejected as overall unsound...
July 29, 2014, 09:52 AM
http://nofilmschool.com/2014/07/alfred-hitchcock-e...
Editing is one of the most mysterious aspects of filmmaking. Through skillful manipulations of still images, it’s possible to create illusions of unity in time and space, and what’s more, make these illusions elicit emotion from an audience, whether tears, laughs, or screams (and sometimes all three at once). Alfred Hitchcock was a master of editing (and everything else in the realm of cinema), and nowhere is his editing skill, as well as that of editor George Tomasini, more on display than ...
July 29, 2014, 09:50 AM
http://www.cceditors.ca/90-to-5-editing-challenge/
Editors needed! …to win the 90to5 Editing Challenge 90to5 challenges you to cut a feature down to a short. The contest is a great creative exercise for editing greenhorns as well as seasoned film editors – it’s a lot of fun, it’s free and you can win big! Take a look at our facebook page
July 29, 2014, 04:39 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“This is terrific work, if you like rejection.” — Bob Woodward Though it centers on one of the greatest political scandals in living memory, director Alan J. Pakula’s 1976 film All The President’s Men starts the same way most stories do — with a w...
July 28, 2014, 12:15 PM
http://www.creativebloq.com/design/10-examples-fun...
"I'm a designer." Do hugely successful ad campaigns, slick furniture or stylish interiors come to mind? How about aeroplane nose art, coffins, or rubbish bins? Design is everywhere, and not all designers reflect life in Mad Men. Here's our pick of the best design in situations that are ordinarily functional.
July 27, 2014, 06:01 AM
http://digitalfilms.wordpress.com/2014/07/26/final...
One of the “legacy” items that editors miss when switching to Final Cut Pro X is the batch export function. For instance, you might want to encode H.264 versions of numerous ProRes files from your production, in order to upload raw footage for client review. While FCP X can’t do it directly, there is a […]
July 27, 2014, 06:01 AM
http://journaldunemonteuse.wordpress.com/2014/07/2...
Rendez-vous à Lussas pour ceux qui y seront aussi. http://www.lussasdoc.org/une_universite_d_ete_du_documentaire,6.html Bel été. Emmanuelle. EXPERIENCE DU REGARD Nos règles du jeu pour cette « expérience du regard »… Oublier ce que nous faisons nous-mêmes, ce que nous savons. Occuper la place … Lire la suite →
July 26, 2014, 12:54 PM
http://kyleesportfolio.com/blog/?p=1705
Building on the success of last year’s first-ever Southeast Creative Summit, the video production conference will be returning to Atlanta this November 7-9 with even more workshops and some fresh faces presenting them. What is the Southeast Creative Summit exactly? … Continue reading →
July 26, 2014, 06:51 AM
http://filmandanimation.sva.edu/sva-faculty-friday...
Four-time Emmy Award-winning editor Jesse Averna, SVA Film ’08, has his dream job — playing with monsters at Sesame Street. Here, he has some advice for students heading to film school.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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