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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Nugen Audio Halo Upmix

October 7, 2015, 05:13 AM

http://www.audiomediainternational.com/broadcast/r...

Obviously, if a 5.1 mix is required, we’d all much prefer to purposefully create one at the mixing stage. However, this isn’t always possible, for a number of reasons, most common of which is there isn’t the time and budget, or the source material doesn’t exist as stems or in multichannel form.

Audio post workflow for the feature film, "War Ro

October 6, 2015, 05:21 AM

http://www.provideocoalition.com/audio-post-workfl...

This is the third and final article in the post production process for the theatrical feature film War Room which I co-edited with director, Alex Kendrick.  This article will walk through the steps from picture lock through the audio editing, sound design and final mix.

Behind the Supersonic Sound Design For The Flash

October 5, 2015, 09:22 AM

http://www.asoundeffect.com/the-flash-sound-design...

What does a superhero sound like? That was what Empty Sea Audio’s Mark Camperell had to decide when designing the sound for hit series ‘The Flash’.

Deadpool Movie Music to Be Provided by Junkie XL

October 5, 2015, 04:45 AM

http://collider.com/deadpool-movie-music-provided-...

Composer Junkie XL (a.k.a. Tom Holkenborg) has been having a busy 2015 with scores for Mad Max: Fury Road, Run All Night, Black Mass, Kill Your Friends, and Point Break, and he’s now got not one but two major superhero movies on tap for 2016. In addition to working with Hans Zimmer on the score for Batman v Superman: Dawn of Justice, Junkie XL tweeted out that he’ll be providing the score for Deadpool...

Win the Exponential Audio Super Reverb + Excalibur

October 5, 2015, 04:45 AM

http://logic-pro-expert.com/logic-pro-blog/2015/10...

Next week on October 12th, Exponential Audio will announce their latest product and to celebrate that they’re giving one lucky person the chance to win every plugin from the Super Reverb + Excalibur Bundle. The super bundle includes PhoenixVerb (stereo) (check out Logic Pro Expert’s PhoenixVerb Review), R2 (stereo), PhoenixVerb Surround, R2 Surround and the Excalibur multi-effects plugin.

RØDE VideoMic Pro with Rycote Lyre Suspension Mou

October 3, 2015, 06:23 AM

http://news.doddleme.com/equipment/doddlereviews-r...

As one of the most popular compact shotgun mics that RØDE makes, the RØDE VideoMic Pro has been relatively unchanged since it was introduced back in 2013. Filmmakers looking for a smaller, less intrusive audio footprint for shooting of wedding videos and interviews, came to the VideoMic Pro, but were soon disappointed by the rubber band-like shock design because the rubber bandswould stretch out with constant use and need to be replaced.

Forbes Examines Modern Sound Design with Pro Sound

October 2, 2015, 12:57 PM

http://www.prosoundeffects.com/blog/forbes-examine...

In a recent Forbes article, author Nick Messitte spoke with Team PSE about the role sound effects libraries play in the sound design industry. The article examines the current state of sound libraries with Pro Sound Effects as the focal point. Messitte is familiar with the PSE Library, stating: “…I myself have used ... The post Forbes Examines Modern Sound Design with Pro Sound Effects appeared first on Pro Sound Effects.

Big things afoot for EVE Audio

October 2, 2015, 12:56 PM

http://www.audiomediainternational.com/recording/b...

German manufacturer EVE Audio has quickly risen up the ranks and made a name for itself in the monitor market since its first steps in 2011. In just four years, the company has moved from entry level to build a network of over 50 distributors globally, and with an ever-widening product range for both broad and niche applications covering studio and home recording, post production and more, the company is keen to draw attention to the new arrivals in its offering.

Scale Logic edited

October 2, 2015, 09:25 AM

http://www.youtube.com/watch?v=9xeu4ff_kEw

At IBC 2015 Bob Herzan of Scale Logic Inc. talking about their Hyper FS product, which is built specifically for editing, broadcast and creative community. Mac, Windows and Linux systems can all work with HyperFS. For more on IBC visit http://postPerspective.com

A Month of Field Recordists: Watson Wu

October 2, 2015, 09:24 AM

http://www.creativefieldrecording.com/2015/10/01/a...

Today begins a month-long series learning about field recordists and the tools they use. Learn more about the series in yesterday’s introductory post.

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