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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

10 Useful Avid Console Commands

November 18, 2014, 03:30 PM

http://www.digitalrebellion.com/blog/posts/10_usef...

Avid Media Composer features a little-known Console window that allows you to enter commands to tune performance, improve debugging and enable hidden features. Many of the commands are aimed at plugin developers but here is a list of several that are generally useful.To access the Console, go to Tools > Console. Note that many commands will need to be re-applied the next time you launch Media Composer.Allow editing over network drivesBy default Avid will only recognize locally-attached hard ...

The Evolution of Display Connectors

November 18, 2014, 03:29 PM

http://www.premiumbeat.com/blog/evolution-display-...

Display connections are evolving to keep up with new video technology and data rates. See what lies ahead for the future. The post The Evolution of Display Connectors appeared first on The Beat: A Blog by PremiumBeat.

Quick Tip: Layer Styles in After Effects

November 18, 2014, 12:26 PM

http://www.premiumbeat.com/blog/quick-tip-layer-st...

Using layer styles in Photoshop? These settings can be preserved when opening a PSD in After Effects. In this quick tutorial we'll show you how. The post Quick Tip: Layer Styles in After Effects appeared first on The Beat: A Blog by PremiumBeat.

Our second Final Cut Pro X tutorial roundup for No

November 18, 2014, 08:12 AM

http://www.fcp.co/final-cut-pro/tutorials/1553-our...

Just over halfway through November and we have enough free FCPX tutorials to populate a second roundup. Avoid crashing when relinking, choose audio handles, delete stock effects, make multiple range selections and colour correction with S-Log2. Will we make it to roundup 3?

PRODUCT REVIEW: ‘FilmConvert’ Film Emulation S

November 18, 2014, 08:12 AM

http://cuttingroomtales.wordpress.com/2014/11/18/p...

Can Digital Really Look Like Film? ☛   Journalistic convention dictates that you review products when they’re brand new, but I’m taking the liberty of reviewing something that’s been around for a time. What can I say? It’s new to me. Be aware: this may get a little technical. FilmConvert is a bundle of software … Continue reading →

Online – Edit Out Loud! webinar

November 18, 2014, 08:12 AM

http://feedproxy.google.com/~r/industryhappenings/...

Editor Misha Tenenbaum was hired to cut a one minute, inspirational video about running, and he screen captured his entire creative process! Welcome to our next unique webinar with Moviola on DEC 2 called Edit Out Loud! Registration is free. Watch as Misha talks out loud about his cutting decisions while he’s making them, a first in webinar history. Get feedback from the director at the same time Misha does. Finally, watch the locked cut and hear Misha explain why every shot was ulti...

EDA en el 29 Festival de Cine de Mar del Plata

November 18, 2014, 08:10 AM

http://www.edaeditores.org/eda-en-el-29-festival-d...

El martes 11 de noviembre se presentó oficialmente el 29 Festival Internacional de cine de Mar del Plata. Queremos compartir los trabajos de socios y socias de EDA que serán parte del gran evento cinematográfico del año, del 22 al 30 de Noviembre. COMPETENCIA ARGENTINA DE CORTOMETRAJES “Cómo olvidar un amor en 21 pasos” (2014)   Montaje: […]

OS X Yosemite updated to 10.10.1

November 17, 2014, 06:47 PM

http://www.fcp.co/final-cut-pro/articles/1552-os-x...

It might look like a few bug fixes, but an OS X update is still an update. Have they fixed the Wifi issues we wonder? 

tip: writing to the disk cache during renders thro

November 17, 2014, 06:47 PM

http://blogs.adobe.com/aftereffects/2014/11/tip-wr...

One thing that makes After Effects work much faster is the persistent disk cache, which makes it so that After Effects can retrieve rendered items from disk rather than re-rendering items each time they are needed. (For details about the RAM cache and persistent disk cache, see this video by me on Lynda.com.) One thing that many people don’t realize, though, is that the disk cache is not written to by default for final renders through the render queue. This is because when we created the ...

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