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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

James Parnell Talks Mixing Season 2 of Netflix’s Trinkets

July 28, 2021, 09:22 AM

https://postperspective.com/james-parnell-talks-mi...

By Randi Altman Monkeyland Audio supervising sound editor and re-recording mixer James Parnell has been working on a variety of high-profile TV and film projects, including the Oscar-winning film Moonlight, Hulu’s PEN15 and the recent Tribeca film Lorelei. He was recently nominated for a Daytime Emmy, Continue reading → July 27, 2021 The post James Parnell Talks Mixing Season 2 of Netflix’s Trinkets appeared first on postPerspective.

How to Choose an Audio Interface

July 27, 2021, 08:41 AM

https://www.uaudio.com/blog/how-to-choose-an-audio...

There’s a lot to consider when choosing an audio interface. While it may seem like a big list of things to keep straight, it isn’t. Here are three questions to help identify the perfect interface for your needs.

ReRecording Mixer James Parnell Talks Working on

July 13, 2021, 09:18 AM

https://www.comingsoon.net/movies/features/1181715...

Daytime Emmy Nominated re-recording mixer James Parnell was nominated for his work on Netflix’s Trinkets. As such, we decided to speak to him about the challenges and rewards of working on this series.

Academy Award-winning Sound Designer of "Hugo" Eugene Gearty Talks Sound in Film

July 8, 2021, 09:05 AM

http://manhattaneditworkshop.blogspot.com/2021/07/...

Oscar-winning sound designer Eugene Gearty, joined Filmmaker U to discuss staying focused during the COVID-19 pandemic, getting the job you want, and to answer our questions about the world of Sound in film.  If you want to learn more directly from Eugene on his processes, his insights and his vast amount of experiences; check out our online class with Eugene here.Starting in 1982 Eugene Gearty was one of the first digital Sound Editor/Designers in the film industry. He pioneered the use of ...

Spitfire Audio Eric Whitacre Choir playback templa

June 30, 2021, 09:06 AM

https://blog.dorico.com/2021/06/spitfire-audio-eri...

Following on from the Spitfire Audio BBCSO playback template, here is a Dorico playback template for the Spitfire Audio Eric Whitacre Choir.

Mathieu Lamboley: Composing Soundtrack for Netflix’s Lupin

June 25, 2021, 08:56 AM

https://postperspective.com/mathieu-lamboley-compo...

If you are like us, you’ve been charmed by the Netflix show Lupin and its main character Assane Diop, played by Omar Sy.  This French series, which is dubbed in English, features a man on a journey to avenge his father’s wrongful imprisonment and death. In doing so, he uses tricks inspired by the Maurice Leblanc novels that his father gave him when he was a boy. Continue reading → June 21, 2021 The post Mathieu Lamboley: Composing Soundtrack for Netflix’s Lupin appeared first on ...

TECH TIPS – SOUND NAVIGATION

May 4, 2021, 09:34 AM

https://www.screeneditors.com.au/tech-tips-sound-n...

In this edition of ASE Newsletter Tech Tips, we’re taking a look at how to collect and navigate sound effect files. Most interestingly, Pro Sound Effects has launched a new software package for navigating these files: SoundQ.

Notes on Designing Visuals for Sound

May 3, 2021, 08:56 AM

https://randythomblog.wpcomstaging.com/2021/05/01/...

The prevailing idea about how to do sound for movies is that you paste sound design and music onto the outside of an otherwise almost finished film. The chances of this working like a charm are not high, though occasionally it does.

Sound Propelling Story

April 19, 2021, 08:29 AM

https://randythomblog.wpcomstaging.com/2021/04/18/...

Good writers are usually trying to gradually lead you to a place that will surprise you when you get there, but which is also a place you think you might have anticipated if you had paid attention to all the clues.

#sound#storytelling#randy thom
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