It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 9, 2014, 09:35 AM
http://www.creativeimpatience.com/a-glimpse-of-the...
If you have not yet seen David Helmly showcasing Premiere Pro performance on the new Mac Pro, and presenting a technology demo of RED footage GPU debayer, give it a look. I recommend watching it in its full 1080 resolution, you might spot some interesting details, most likely to appear … see more →
March 9, 2014, 09:35 AM
http://splicevine.com/editstock/
EditStock could be your virtual apprenticeship, personal film school and so much more. LA-based, Film & TV editor and trainer Misha Tenenbaum reached out to us last month about a unique site and service he’s created. It’s called EditStock and it […]
March 9, 2014, 09:34 AM
http://nofilmschool.com/2014/03/making-of-doc-deco...
Studying films, whether they’re poorly or masterfully made, is one of the greatest ways you can educate yourself about how (not) to make a film. Martin Scorsese’s masterfully made Taxi Driver has been studied time and time again by experts, students, and enthusiasts, but in this 1999 documentary about the making of the film, we get to hear from the filmmakers themselves, including Scorsese, screenwriter Paul Schrader, DP Michael Chapman, editor Tom Rolf, the cast, and even legendary m...
March 9, 2014, 09:33 AM
http://www.xdcam-user.com/2014/03/premiere-pro-cc-...
It appears that in the last update to Premiere Pro CC (version 7.2) Adobe included native support for Sony raw at 4K, 2K and HFR. If you are running Premiere CC and you still have the Sony Raw Plug-In installed it makes Premiere unresponsive and will result in a lot of “Media Pending” messages when you try to work with Raw footage. You must uninstall the Sony plug-in to work with raw from version 7.2 onwards...
March 8, 2014, 03:16 PM
http://www.cceditors.ca/interview-with-mark-sanger...
Oscar winning Picture Editor Mark Sanger on editing ‘Gravity’: “The film was blocked in the editing 18 months prior to shoot, in order to establish both what, but more crucially how we would shoot the story. The effect is an 11 and a half minute single shot but the reality is that it’s 3 years
March 7, 2014, 03:10 PM
http://www.cceditors.ca/cce-awards-submissions/
Submissions to the 4th Annual Canadian Cinema Editors Awards are now closed. We’re pleased to announce that we received over 200 entries from across the country! A big thank you to our Platinum Sponsor ScreenLight for securely hosting those videos and coordinating the specific access for each juror. Nominees will be announced on Thursday, April 3, 2014.
March 7, 2014, 01:52 PM
http://provideocoalition.com/ssimmons/story/notes-...
The event kicked off with a mix and mingle (and open bar) where attendees were able to make introductions, exchange business cards and chat each other up. Events like this are always a lot of fun as you’re able to say hello to familiar faces that you might only see at NAB and meet others you only know via some type of online communication. Everyone is there for the same reason so approaching a stranger is easy as they are all willing to talk and share war stories from the editing room.
March 7, 2014, 01:42 PM
http://www.digitalproductionbuzz.com/2014/03/trans...
Digital Production Buzz March 6, 2014 [Transcripts provided by Take 1 Transcription] [Click here to listen to this show.] HOSTS Larry Jordan GUESTS John Putch, Director/Writer/Producer, Putch Films John Tkaczewski, Co-Founder/President, FileCatalyst Michael Cioni, CEO, Light Iron Joseph Atash, Actor/Writer, Made in America Aria Emory, Actor/Writer/Producer, Made in America === Voiceover: This Digital Production Buzz is brought to you by Blackmagic Design, creators of the world’s highest q...
March 7, 2014, 01:40 PM
http://roosterpost.wordpress.com/2014/03/07/rooste...
An interesting read on how some Canadian brands have taken their branded content to the next level. What does it take to really break through? It looks like great creative is still the way to go. We’re pleased that they’ve … Continue reading →
March 7, 2014, 05:48 AM
http://wolfcrow.com/blog/what-is-three-point-editi...
Three-point editing has a bad rap for being confusing, but in fact, it’s the easiest thing in the world. This article will explain what 3-point and 4-point editing is, and how it should be used.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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