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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Panasas intros hybrid scale-out NAS ActiveStor 20

August 4, 2016, 09:26 AM

http://postperspective.com/panasas-intros-hybrid-s...

Storage company Panasas has introduced ActiveStor 20, the company’s latest generation hybrid scale-out NAS appliance.  According to Panasas, it features a 65 percent increase in flash and a 25 percent increase in hard drive capacity. High-density flash drives and 10TB HGST Ultrastar He10 helium-based hard drives offer unstructured sequential file and mixed-workload performance with rapid access to both large and small files. Continue reading →August 4, 2016

Augmented Reality Is Already Huge

August 4, 2016, 05:31 AM

http://www.digimediapros.com/augmented-reality-is-...

In this article, Philip Hodgetts makes a case that augmented reality is not only here, but it's here in a big way. He also compares and contrasts the differences between augmented reality and virtual reality.

Opinion: Why Apple should jump into HDR video - an

August 4, 2016, 05:30 AM

http://www.redsharknews.com/business/item/3671-opi...

Clayton Moore argues that Apple should be implementing high dynamic range capability across its product lines (and, indeed, speculates that this may already be happening). AppleHDRHigh Dynamic RangedisplaysTelevisionsBusiness

Goldcrest Post Delivers Jason Bourne Post Producti

August 3, 2016, 12:29 PM

http://boscpug.org/goldcrest-post-delivers-jason-b...

Goldcrest Post London used DaVinci Resolve Studio to complete the edit, color grade and HDR finishing for Universal Pictures’ “Jason Bourne,” in which Matt Damon returns to his most iconic role.

Augmenting Reality In Rio

August 3, 2016, 09:17 AM

http://www.avidblogs.com/augmenting-reality-rio/

The article Augmenting Reality In Rio by Jeff Rosica appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Eizo introduces CG247X color management monitor

August 3, 2016, 09:17 AM

http://www.postmagazine.com/Press-Center/Daily-New...

CYPRESS, CA — Eizo USA (www.eizo.com) recently introduced the ColorEdge CG247X color management monitor - a professional display for post production applications, including editing. The 24.1-inch color management monitor offers 1920-by-1200 native resolution and a wide color gamut that reproduces 98 percent of the DCI-P3 standard used in digital cinema.

SIGGRAPH 2016: Tech, Sessions, Star Wars & Dory

August 3, 2016, 06:06 AM

http://www.postmagazine.com/Post-Blog/2016/August/...

ANAHEIM, CA - SIGGRAPH was definitely smaller this year but it was laid out a lot differently and functioned a bit differently. This year it was apparent there were options for people with Exhibit Badges as they had access to panels and sessions done by vendors who rented space separate of SIGGRAPH that gave attendees more access to training, talks and specific needs. Side FX did Houdini training for the entire day on Tuesday. Autodesk had speakers for a few days about their product lines in...

TRUMPING THE JUMP CUT IN ADOBE PREMIERE PRO CC

August 2, 2016, 11:43 AM

http://www.premierebro.com/blog/trumping-the-jump-...

STRATEGIES TO AVOID JUMP CUTS IN YOUR VIDEO. Too many pauses? Heaps of "ums"? This Premiere Gal blog post will teach you three editing strategies to "trump" your jump cuts or avoid them entirely.

#adobe#premiere pro#jump cut#morph cut#brill
Catching Up with Six-Week Alumn, Miguel E. Rebagli

August 2, 2016, 08:48 AM

http://manhattaneditworkshop.blogspot.com/2016/08/...

Miguel Esteban RebagliatoMEWShop alumni are always popping up in new and exciting places. Case in point: Miguel Esteban Rebagliato, who completed the Six Week Intensive at MEWShop in 2012, recently worked as an assistant editor on the Emmy-nominated miniseries The Night Manager. He recently wrapped a job on the upcoming Angelina Jolie film First They Killed My Father, and is currently working as an AE on the BBC adaption of Zadie Smith’s N.W. We recently caught up with Miguel to talk about...

PluralEyes 4.1 Released

August 2, 2016, 08:48 AM

http://www.digimediapros.com/pluraleyes-4-1-releas...

RedGiant has released PluralEyes 4.1, the latest update to their A/V sync tool, as a free update, with many new features.

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