It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 25, 2014, 11:25 AM
http://twainthestoryteller.com/frame-of-reference-...
Davone Alexis live’s in New York but is originally from Carriacou, Grenada. “I’m an editor for The Caribbean Film Academy, (caribbeanfilm.org) where I am currently editing a short film and a documentary. I’ve been editing for over 2 years and although I have learned so much there is still a wealth of knowledge to be explored. I […]
September 25, 2014, 11:24 AM
http://bosfcpug.org/images-from-september-23-boscp...
Image Highlights from our Tuesday, September 23, 2014 BOSCPUG featuring First Assistant Mike Saenz ('BOYHOOD') - as part of the Bright Lights Film Series at Emerson College.
September 25, 2014, 11:24 AM
http://saeditores.org/Novedades/Primera-reunion-de...
El martes 10 de diciembre se llevó a cabo la primera reunión formal del Subcomité de Cinematografía del IRAM (Instituto Argentino de Normalización y Certificación). Allí estuvo la Comisión de Estudios Técnicos de la SAE, representada por Ariel Ledesma, Bruno Fauceglia y Alejandro Carrillo Penovi...
September 25, 2014, 11:24 AM
http://finalcutargentina.blogspot.com/2014/04/edl-...
Mis primeros pasos editando fueron en una sala lineal "A/B roll" que tenía un par de decks U-Matic SP controladas por un remoto O/Z que permitía guardar y leer EDL o Edit decision list, algo no tan común para los controladores de entonces. Como en esa sala editábamos tape-to-tape directamente para salir al aire, nunca le vi la utilidad hasta que unos cuántos años después comencé a editar comerciales y tuve que mandar mi primer EDL.Ya en mi época de editor lineal el EDL era un form...
September 25, 2014, 11:22 AM
http://photo.it-enquirer.com/2014/09/primatte-keye...
You can create a chroma key in Final Cut Pro X, but the options to make it a perfect key are limited. That’s not the case with Red Giant Software’s Primatte Keyer, the chroma key technology used in major films like Lord of the Rings, The Matrix, Harry Potter, King Kong and Spider-Man, which finally became available for Final Cut Pro X. I took Primatte Keyer 5.1 for a test drive.
September 25, 2014, 09:05 AM
http://julien.chichignoud.com/blog/quick-tip-expor...
If you ever have heavy effects or AE dynamic linking in your Premiere sequence, you might have to render some elements of your sequence for playback. There’s no reason not to use these renders for your final export, but for this, you need to make sure you’re not causing generational loss by rendering to an intermediate (inferior) codec, which will then be transcoded again when you’re mastering out.
September 25, 2014, 04:37 AM
http://masteringfilm.com/avid-smart-tool-functions...
Avid editors have certainly used the Timeline for decades, but Avid has always been much more conducive to keyboard editing. Final Cut Pro editors—and I realize that I’m generalizing—are often much more comfortable moving and trimming their sequences using the arrow tool and the Timeline trimming functions to drag segments and transitions quickly and efficiently...
September 24, 2014, 07:06 PM
http://www.creativeimpatience.com/a-line-has-been-...
One of the features in the soon incoming release of Premiere Pro is the ability to change clip names and labels project-wide. It’s a feature request coming mostly from the former FCP users, who were used to inflicting changes that propagate throughout the bins and timelines. It’s nice and I … see more →
September 24, 2014, 01:47 PM
http://finalcutargentina.blogspot.com/2011/09/fina...
He creado un grupo en la red Linked In para que los usuarios de Final Cut Pro de Argentina y de países de habla hispana podamos estar en contacto. Pueden sumarse desde aquí:Final Cut Pro Argentina en Linked InEstán todos invitados.
September 24, 2014, 01:46 PM
http://provideocoalition.com/ssimmons/story/useful...
Here we are back again with another round of Useful Tools for Editors. Today there’s a few things that can help reduce the noise in both your audio and your video as well as some options to beauty up your image be it someone’s skin or bringing it into a...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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