It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 7, 2014, 12:54 PM
http://johnaugust.com/2014/when-post-production-ne...
Doug Karr's new film Art Machine is available on demand and through iTunes. I asked him to write up a post about his experience finishing it. --- Nearly
February 7, 2014, 12:53 PM
http://www.screenlight.tv/blog/2014/02/07/my-edit-...
For four years I worked in a glorified closet otherwise known as my editing bay. My room was approximately 6’ wide by 9’ long. It had neutral gray walls and a desk that squeezed all the way across the back wall. On my desk sat the mixer, mouse, colorful keyboard and phone hidden way off in the corner. Whoever calls the editor for their opinion? Beside my two 23” monitors were two giant oddly colored speakers. On top of one of the speakers was a picture of my wife and I when we were t...
February 7, 2014, 09:09 AM
http://chris-stewart.ca/how-to-edit-corporate-vide...
Technical and Theory advice on how to edit corporate videos.
February 6, 2014, 11:52 AM
http://www.premiumbeat.com/blog/tips-for-handing-o...
When working in a collaborative post production environment it is ESSENTIAL to use thoughtful organization in your video editing projects. Follow our tips for prepping your projects to hand off to another editor or post production specialist.
February 5, 2014, 01:30 PM
http://www.premiumbeat.com/blog/everything-you-nee...
Debating on pulling the trigger on a new Mac Pro purchase? Check out these product specs and reviews to make a more informed decision.
February 5, 2014, 11:01 AM
http://www.ryanewalters.com/Blog/blog.php?id=18870...
Those of you who have been reading my blog for awhile already know that back in August I wrote that FCP X was dead. Those were not easy words for me to write, as I used the program since version 1. At the time, when I gave it another spin, I still found it to be a tightly closed system that didn't fit my needs, so I continued to use Premiere.
February 5, 2014, 11:00 AM
http://journaldunemonteuse.wordpress.com/2014/02/0...
Aujourd’hui nous avons retroussé le film comme une chaussette. La fin devenant le début, on a re-monté intégralement le film à l’envers, l’ancien début devenant la fin. Une chaussette retournée, qui donne d’ailleurs son nom à la séquence : "montage … Lire la suite →
February 4, 2014, 08:17 PM
http://postperspective.com/cinesync-integrated-dig...
Culver City — Jenny Fulle, visual effects producer and founder of The Creative-Cartel, and Rory McGregor, CEO of Cospective, are now offering integration between Cospective’s cineSync review and approval technology and The Creative-Cartel’s Joust digital workflow management system. This integration with cineSync will allow live, streaming, interactive reviews that can be carried out from within […]The post CineSync integrated into digital workflow management system Joust appeared f...
February 4, 2014, 01:51 PM
http://www.hollywoodreporter.com/behind-screen/ace...
American Cinema Editors’ Eddie Awards — which will be handed out Feb. 7 at the Beverly Hilton—has proved to be a quite reliable Oscar bellwether. In fact, in nine of the past 10 years, the winner of the best edited dramatic feature Eddie has gone on to win the Oscar in editing. Additionally, in six of the past 10 years the winner in the ACE category for best edited dramatic or comedy/musical feature went on to win the Oscar for best picture.
February 4, 2014, 05:47 AM
http://www.firstshowing.net/2014/post-nomination-p...
With the Oscar nominations set in stone (save for one retraction), it's time for some new predictions! Obviously, my final set of predictions from January
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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