It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 8, 2015, 10:26 AM
http://news.doddleme.com/blogs/post-production/ado...
Imagine being able to take a picture of something with your mobile phone, and then through Adobe Creative Sync, send that image to Photoshop, convert it to a 3D model and then print it on a 3D printer. Wouldn’t that be incredible? And speaking of that, Adobe is also promising that in the future, you’ll be able to get rid of those pesky photobombs. That’s just a few of the bleeding edge features that Adobe has given us a peak of this week at Adobe MAX.
October 8, 2015, 04:33 AM
http://www.avidblogs.com/how-avid-helped-to-tell-t...
The article Leading the Line: How Avid Helped to Tell the Story of the Real Wayne Rooney by Julian Nelson appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
October 8, 2015, 04:33 AM
http://designingsound.org/2015/10/review-sonarwork...
Oh The Variables When you consider the variables in pla […]
October 8, 2015, 04:32 AM
http://www.fxguide.com/featured/going-off-model-ho...
One of the biggest challenges faced by Sony Pictures Imageworks' visual effects and animation team on Sony Pictures Animation’s Hotel Transylvania 2 was the unique style of movement that director Genndy Tartakovsky wanted to impart on the characters. Explored also on the first film, this exaggerated motion gave an incredible level of extra effect to the performances, but also meant that the artists could not always run typical physics sims for things like cloth and FX. Visual effects superviso...
October 8, 2015, 04:31 AM
http://www.3dvf.com/actualite-14700-light-table-2-...
The character animator Alexander Savchenko Launches Version 2.0 Light Table, a 3ds Max script explicitly inspired by the light table TVPaint system.
October 8, 2015, 04:31 AM
http://www.audiomediainternational.com/installatio...
Pro-audio equipment provider Audiologic has strengthened its partnership with Shure Distribution UK (SDUK), gaining market exclusivity for a range of SDUK's Systems Group products.
October 8, 2015, 04:31 AM
http://www.cgmeetup.net/home/zbrush-summit-2015-pr...
Official ZBrush SUMMIT 2015 Presentation – Jerad Marantz.
October 7, 2015, 06:39 PM
http://postperspective.com/automatic-ducks-wes-pla...
By Randi Altman If you’ve worked in post production during the past 14 years, there is a very good chance you know Automatic Duck and its president, Wes Plate. Over their time in business, Wes and his father, Harry, have created a number of software tools designed to make different programs and formats work together… the ultimate facilitators. In 2011, Automatic Duck licensed its technology to Adobe, and Wes joined them as head of its Prelude team. While Adobe had acquired the technolo...
October 7, 2015, 09:30 AM
http://www.premiumbeat.com/blog/quick-tip-saving-s...
Need to save a still image out of After Effects? Just follow these quick steps.
October 7, 2015, 09:28 AM
http://www.artofvfx.com/maze-runner-scorch-trial-p...
Pavani Rao began his career in visual effects in 2005 at The Orphanage. He then joins Rhythm & Hues and work on many films such as THE GOLDEN COMPASS or THE INCREDIBLE HULK. In 2009 he moved to Weta Digital to work on AVATAR. He then worked on RISE OF THE PLANET OF THE APES, THE ADVENTURES OF TINTIN and the HOBBIT trilogy.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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