It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 5, 2015, 09:22 AM
https://www.rocketstock.com/blog/4-brilliant-ways-...
As one of the best compositing and VFX softwares in the world, After Effects is a great software for removing rigs, markers, and objects from your footage. Every shot will require you to solve your removal problem in a new creative way, but perhaps one of these tutorials can help! Let’s take a look at 4 ways to remove objects in After Effects.
October 5, 2015, 09:22 AM
http://www.asoundeffect.com/the-flash-sound-design...
What does a superhero sound like? That was what Empty Sea Audio’s Mark Camperell had to decide when designing the sound for hit series ‘The Flash’.
October 5, 2015, 04:47 AM
http://www.fcp.co/final-cut-pro/articles/1727-ben-...
Ben Balser has been taking a good look at Coremelt's new DriveX plugin for Final Cut Pro X. His user review compares it to the other Coremelt products that also use the Mocha tracking engine. We have to admit to being slightly confused ourselves, so Ben explains all...
October 5, 2015, 04:45 AM
http://collider.com/deadpool-movie-music-provided-...
Composer Junkie XL (a.k.a. Tom Holkenborg) has been having a busy 2015 with scores for Mad Max: Fury Road, Run All Night, Black Mass, Kill Your Friends, and Point Break, and he’s now got not one but two major superhero movies on tap for 2016. In addition to working with Hans Zimmer on the score for Batman v Superman: Dawn of Justice, Junkie XL tweeted out that he’ll be providing the score for Deadpool...
October 5, 2015, 04:45 AM
http://logic-pro-expert.com/logic-pro-blog/2015/10...
Next week on October 12th, Exponential Audio will announce their latest product and to celebrate that they’re giving one lucky person the chance to win every plugin from the Super Reverb + Excalibur Bundle. The super bundle includes PhoenixVerb (stereo) (check out Logic Pro Expert’s PhoenixVerb Review), R2 (stereo), PhoenixVerb Surround, R2 Surround and the Excalibur multi-effects plugin.
October 5, 2015, 04:45 AM
http://www.cgmeetup.net/home/evangelion-another-im...
Kei Yoneoka – This movie demonstrates how I made destruction FX in the short movie “evangelion:Another Impact (Confidential)” which is one of the stories in “nihon animator mihonichi”. Kei Yoneoka was responsible for building procedural destruction setting for those massive destruction. Thinking Particles and Fume FX are mainly used.
October 5, 2015, 04:45 AM
http://www.cgmeetup.net/home/ornatrix-hair-for-may...
Welcome to Ornatrix! In this video we take an initial look and explore the port of our 3dsmax hair, fur, and feather solution to Autodesk Maya. See how hair can be quickly added, styled, and rendered using the Hair Stack, a set of parametric hair operators, and V-Ray.
October 5, 2015, 04:44 AM
http://cinescopophilia.com/make-your-own-luts-with...
Ben Turley has a website where you can experiment and make your very own camera LUTs. Ben’s LUTCalc – 1D & 3D Cube LUT Calculator v2.1 has all sorts of goodies, such as Grading LUTs and Camera LUTs, Recorded Gamma, Output Gamma, CineEI ISO, Stop Correction, ASC-CDL, Knee Levels, Black Level / Highlight level, and you can even import your LUTs to look at and work on with the LUTCalc.
October 5, 2015, 04:44 AM
http://vashivisuals.com/adobe-max-2015-from-sharks...
ADOBE MAX 2015 – The Creativity Conference will be held in Los Angeles from October 3 to October 7. I’m very proud to have been invited to present and will be speaking about the work I have edited over the last year. I will share my experiences editing 2 feature films, 2 documentaries, a music video, a short film and a commercial. All of these projects were cut in Adobe Premiere Pro because…for me, it’s the most powerful, flexible and constantly improving NLE out there.
October 4, 2015, 05:29 AM
http://behindvfx.com/post/130424912630/behind-vfx-...
Behind VFX ACCESS - The Making of THE MARTIAN
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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