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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Metus INGEST Supports Matrox VS4 and MXO2 Boards

August 25, 2014, 09:58 AM

http://www.broadcastbeat.com/metus-ingest-supports...

        Metus has never stopped growing! And now its supports Matrox Boards. Matrox VS4 is a 4 HD/SDI input 4 channel dedicated PCI capture card for multi channel Ingest. Matrox MXO2 is a portable I/O device with HD/SDI, analog, HDMI inputs and ExpressCard or Thunderbolt connectivity. MOX2 with Ingest will turn your […]

Are Projectionists Dinosaurs in the Age of Digital

August 25, 2014, 09:57 AM

http://www.indiewire.com/article/are-projectionist...

Once upon a time, film projectionists were stars. Between 1895 and 1897, people would pay in order to see the brand new technology that allowed moving images to be projected on a screen. But more than 100 years later, film projectionists are a dying breed. Indiewire spoke to projectionists at the recent Locarno Film Festival about their craft and their future in the age of DCP.

Jumping into the 4k Pool.

August 25, 2014, 05:21 AM

http://walterbiscardi.com/jumping-into-the-4k-pool...

As part of planning for our new lifestyle network, I made the decision from the get-go that all new original programming would be produced in 4k.  Lifestyle programming is one of those ‘evergreen’ genres with MANY standard definition episodes of various programs still appearing on networks worldwide.   For me it makes absolutely no sense […]

How many copies of Final Cut Pro? Apple’s number

August 25, 2014, 05:21 AM

http://alex4d.com/notes/item/fcp-fcpx-numbers

Creative COW forum member Franz Bieberkopf has done some interesting research and rounded up the numbers when Apple have announced how many copies of Final Cut Pro have been sold over the years: Though I think user numbers are of limited value, it has become a bit of an interest to me (particularly in light of how secretive and vague the various developers tend to be, and in light of the sometimes outrageous claims here). I dug into past announcements from Apple in order to sketch the sh...

Rendering - thanks go GPUs - is speeding up faster

August 25, 2014, 05:20 AM

http://www.redsharknews.com/post/item/1939-renderi...

Realtime rendering is the hot topic in CG animation and vfx right now, thanks to a new breed of rendering solutions that harness the power of the latest generation of graphics processors. Launched just four months ago and promising ‘ludicrously fast 3D rendering’, Redshift is already causing a major stir amongst professional artists and CG enthusiasts. realtime renderingRenderingGPUredshiftMoore's law

Video on demand training for Final Cut Pro X 10.1.

August 25, 2014, 05:20 AM

http://www.fcp.co/final-cut-pro/tutorials/1481-vid...

The majority of training for FCPX is in English, so when good quality instructional video or publications come along we like to feature them. This time it's a VOD course in German from Robin S Kurz. We also have a discount code available for the first 15 takers.

Are Too Many People Calling Themselves Storyteller

August 24, 2014, 12:18 PM

http://filmmakermagazine.com/87288-are-too-many-pe...

Award-winning designer Stefan Sagmeister blasts the current co-option of the label “storyteller” in this provocative video. If you’re a novelist or filmmaker then, yes, Sagmeister says, you are a storyteller. But if you’re, for example, a roller coaster designer, then, he says, “No, fuckhead, you are not a storyteller!”

cinema5D is Hiring Bloggers & Writers

August 24, 2014, 12:18 PM

http://www.cinema5d.com/cinema5d-hiring-bloggers/

You are a filmmaker and have the drive to write about the art you love? You follow news in the filmmaking and filmmaking tech world closely? You might even have a blog writing about your own work and what’s happening in the filmmaking world, and you always suspect what’s around the corner?

Creative After Effects 7 Reviews

August 24, 2014, 07:36 AM

http://www.angietaylor.co.uk/2014/05/26/creative-a...

“Today’s software is so creative and seductive that it is easy to think that’s all there is to creating engaging content. Angie Taylor’s book shows the other side of the story: the visual techniques and design principles that underpin digital... The post Creative After Effects 7 Reviews appeared first on Angie Taylor - Design & Software Training.

More Life for your Mac Pro

August 22, 2014, 08:36 PM

http://digitalfilms.wordpress.com/2014/08/23/more-...

I work a lot with a local college’s film production technology program as an advisor, editing instructor and occasionally as an editor on some of their professional productions. It’s a unique program designed to teach hands-on, below-the-line filmmaking skills. The gear has to be current and competitive, because they frequently partner with outside producers to […]

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