It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 21, 2015, 04:51 PM
http://www.provideocoalition.com/after-effects-hid...
After Effects is a very logical program if you know it works underneath the hood, and a baffling mystery if you don’t. One example of this is the subject of frame rates: Normally, the last comp in a chain determines what frame rate will be used by all the precomps, and this can be overridden again the Render Settings. But what if you really, really need to lock down a precomp’s frame rate, because you’re creating stop motion, have a mask tracked to every frame of footage, etc.? The sec...
September 21, 2015, 04:51 PM
http://www.provideocoalition.com/post-production-w...
This is the second in a three part series on the post production workflow of the Number 1 movie, "War Room." This part details the DI conform, color grade and DCP creation.
September 21, 2015, 04:51 PM
http://www.fcp.co/final-cut-pro/articles/1720-add-...
One great thing about the recent FCP EXPO was the ability to talk directly with software developers in the FCPX ecosystem. We managed to get Roger Bolton from Coremelt cornered in a cubicle where he told us more about the recently released DriveX.
September 21, 2015, 04:51 PM
http://news.doddleme.com/blogs/post-production/app...
The H.U.D in Apple Motion 5 is one of my favorite “Best Kept Secrets.” Many people don’t know that it’s there, but a simple press of F7 will quickly reveal it, and will also have motion graphics designers closing it, because they don’t understand it, or how it works, but to be honest, it’s a simple tool that will help speed up your workflow immensely.
September 21, 2015, 09:39 AM
http://www.videoguys.com/blog/news-and-sales/avid-...
With the introduction of their Avid Everywhere strategy a couple of years ago Avid pledged that they would become an open platform, supporting everyone in the video and audio content creation space. This includes customers, competitors, and custoemrs using Avid and other hardware and software. At IBC Avid showed their commitment to this open platform, Read More The post Avid CEO Louis Hernandez talks about opening up Avid Everywhere even more appeared first on Videoguys Blog.
September 21, 2015, 09:39 AM
http://www.artofvfx.com/the-man-from-u-n-c-l-e-flo...
Since his last visit here for CLOUD ATLAS, Florian Gellinger take care of the visual effects for Rise FX of films such as IRON MAN 3, THE BOOK THIEF, GUARDIANS OF THE GALAXY or AVENGERS: AGE OF ULTRON.
September 21, 2015, 09:38 AM
http://www.animationinsider.com/2015/09/eric-t-eld...
My name is Eric T. Elder and I am an Animation and Video Game Producer in Los Angeles.
September 21, 2015, 09:38 AM
http://www.audiomediainternational.com/new-gear/ib...
At IBC, Sennheiser has unveiled a new slot-in camera receiver. According to the manufacturer, the EK 6042 is a true-diversity, two-channel receiver that works with both analogue and digital Sennheiser transmitters across a bandwidth of 184 MHz.
September 21, 2015, 04:55 AM
http://www.redsharknews.com/post/item/2907-editing...
While you won’t be able to capture 4K on the iPad Pro, the latest update to iMovie allows you to edit 4K material on both that and other top-end Apple devices. AppleiPad ProiMovie4K editingiPhone 6siPhone 6s plus
September 21, 2015, 04:51 AM
http://www.cgmeetup.net/home/maxon-cinema-4d-adver...
Cinema 4D is used by leading studios and 3D artists to create cutting edge productions for all kind of commercials and interactive advertising.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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