It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 18, 2014, 09:12 AM
http://filmmakermagazine.com/87176-a-guide-to-the-...
A few years ago I was doing a 30-minute internet radio show and decided one day to re-purpose it as a podcast. I thought, why not? Public radio shows like This American Life and Radiolab were doing it. I was also realizing that I was wasting my time being on the radio at all. Filmwax Radio was not public radio, and I assumed correctly that only a relatively small number of people were tuning in...
August 17, 2014, 07:49 AM
http://digitalfilms.wordpress.com/2014/08/17/avid-...
It’s interesting to see that in spite of a lot of press, the Avid Everywhere concept still results in confusion. They’ve certainly been enunciating it since last year, with a full roll-out at NAB this past April. For whatever reason, Avid Everywhere seems to be lumped together with Adobe Anywhere in the minds of many. […]
August 17, 2014, 07:48 AM
http://www.broadcastbeat.com/actions-of-the-nab-bo...
thirteen; FOR IMMEDIATE RELEASEthirteen; June 18, 2014 WASHINGTON, DC — The National Association of Broadcasters Board of Directors met for its commonly scheduled June board assembly in Washington, A.A. Below is a abstract of the conferences: JOINT thirteen; BOARD OF DIRECTORSthirteen; June sixteen-17, 2014 CALL thirteen; TO ORDER NAB Joint Board Chairman Charles M. Warfield […]
August 17, 2014, 07:46 AM
http://www.productionapprentice.com/blog/why-you-s...
I’d like to start off this review by saying that I haven’t used Avid as much lately as I have in the past. This is not by choice, but by demand from many of my clients. I live and work out of Orlando, Florida – not exactly the hotbed of TV and Film production.
August 16, 2014, 01:28 PM
http://renderplease.com/post/94914570910
Ahhhh! Thank you so much! And you are welcome for all the laughs! :)
August 15, 2014, 05:17 PM
http://www.philiphodgetts.com/2014/08/avid-to-fina...
Avid have announced that they expect to restate their accounts within two weeks.
August 15, 2014, 05:16 PM
http://www.studiodaily.com/2014/08/normal-ear-tail...
Here's an unusual pitch for an unusual product — custom 3D-printed earphones — from director Jun Diaz at Smuggler L.A. and editor Akiko Iwakawa at Cut + Run for agency Partners & Spade.
August 15, 2014, 05:16 PM
http://www.premiumbeat.com/blog/4k-workflow-essent...
Taking on a 4k workflow for the first time? Here are some essential things that you need to know.
August 15, 2014, 12:16 PM
http://www.buttonpusher.tv/2014/08/15/anatomy-of-a...
If you’ve ever wondered what all goes in to making a promo for a network like PBS, I’ve made this short little video. The clip below is 4 hours and 30 minutes of editing work (which is about half of the total time spent to make the piece) compressed into 60 seconds.
August 15, 2014, 12:14 PM
https://www.videoguys.com/Blog/E/Inside+Gone+Girls...
Billed as the first feature film shot entirely at 6K resolution, David Fincher's Gone Girl is also the first studio feature edited entirely in Adobe Premiere Pro CC, by two-time Oscar-winner Kirk Baxter, ACE. Needless to say, Adobe is giddy about that news. And Nvidia, which makes GPUs that drive Adobe's hardware-accelerated Mercury Playback Engine, is almost as excited.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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