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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

A Guide to the World of Film Podcasts

August 18, 2014, 09:12 AM

http://filmmakermagazine.com/87176-a-guide-to-the-...

A few years ago I was doing a 30-minute internet radio show and decided one day to re-purpose it as a podcast. I thought, why not? Public radio shows like This American Life and Radiolab were doing it. I was also realizing that I was wasting my time being on the radio at all. Filmwax Radio was not public radio, and I assumed correctly that only a relatively small number of people were tuning in...

Avid Everywhere

August 17, 2014, 07:49 AM

http://digitalfilms.wordpress.com/2014/08/17/avid-...

It’s interesting to see that in spite of a lot of press, the Avid Everywhere concept still results in confusion. They’ve certainly been enunciating it since last year, with a full roll-out at NAB this past April. For whatever reason, Avid Everywhere seems to be lumped together with Adobe Anywhere in the minds of many. […]

Actions of the NAB Board of Directors

August 17, 2014, 07:48 AM

http://www.broadcastbeat.com/actions-of-the-nab-bo...

&#thirteen; FOR IMMEDIATE RELEASE&#thirteen; June 18, 2014 WASHINGTON, DC — The National Association of Broadcasters Board of Directors met for its commonly scheduled June board assembly in Washington, A.A. Below is a abstract of the conferences: JOINT &#thirteen; BOARD OF DIRECTORS&#thirteen; June sixteen-17, 2014 CALL &#thirteen; TO ORDER NAB Joint Board Chairman Charles M. Warfield […]

Why you should consider Avid MC7

August 17, 2014, 07:46 AM

http://www.productionapprentice.com/blog/why-you-s...

I’d like to start off this review by saying that I haven’t used Avid as much lately as I have in the past. This is not by choice, but by demand from many of my clients. I live and work out of Orlando, Florida – not exactly the hotbed of TV and Film production.

Can I just say- I am a studio feature film AE and

August 16, 2014, 01:28 PM

http://renderplease.com/post/94914570910

Ahhhh! Thank you so much! And you are welcome for all the laughs! :) 

Avid to (Finally) Restate Accounts within two week

August 15, 2014, 05:17 PM

http://www.philiphodgetts.com/2014/08/avid-to-fina...

Avid have announced that they expect to restate their accounts within two weeks.

Normal: Ear Tailor

August 15, 2014, 05:16 PM

http://www.studiodaily.com/2014/08/normal-ear-tail...

Here's an unusual pitch for an unusual product — custom 3D-printed earphones — from director Jun Diaz at Smuggler L.A. and editor Akiko Iwakawa at Cut + Run for agency Partners & Spade.

4K Workflow Essentials

August 15, 2014, 05:16 PM

http://www.premiumbeat.com/blog/4k-workflow-essent...

Taking on a 4k workflow for the first time? Here are some essential things that you need to know.

Anatomy of an Edit

August 15, 2014, 12:16 PM

http://www.buttonpusher.tv/2014/08/15/anatomy-of-a...

If you’ve ever wondered what all goes in to making a promo for a network like PBS, I’ve made this short little video. The clip below is 4 hours and 30 minutes of editing work (which is about half of the total time spent to make the piece) compressed into 60 seconds.

Inside Gone Girl‘s 6K Review and Editorial Pipel

August 15, 2014, 12:14 PM

https://www.videoguys.com/Blog/E/Inside+Gone+Girls...

Billed as the first feature film shot entirely at 6K resolution, David Fincher's Gone Girl is also the first studio feature edited entirely in Adobe Premiere Pro CC, by two-time Oscar-winner Kirk Baxter, ACE. Needless to say, Adobe is giddy about that news. And Nvidia, which makes GPUs that drive Adobe's hardware-accelerated Mercury Playback Engine, is almost as excited.

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