It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 12, 2014, 09:18 AM
http://www.studiodaily.com/2014/08/inside-gone-gir...
Billed as the first feature film shot entirely at 6K resolution, David Fincher's Gone Girl is also the first studio feature edited entirely in Adobe Premiere Pro CC, by two-time Oscar-winner Kirk Baxter, ACE. Needless to say, Adobe is giddy … more »
August 12, 2014, 09:18 AM
http://www.fcp.co/motion/tutorials-for-apple-motio...
You might have guessed that there aren't that many as Motion hasn't really had a good update since the launch of FCPX. The MacBreak Studio guys explore...
August 12, 2014, 09:18 AM
http://blogs.adobe.com/jkost/2014/08/2250-workflow...
Workflow presets are now available for defining and then quickly choosing different workflow settings in Camera Raw. Click on the Workflow settings (the hyperlink at the bottom of the Camera Raw dialog) to access the options then, after creating your custom presets and exiting the workflow settings, Control -click (Mac) | Right Mouse -click (Win) the workflow link to quickly switch between your saved presets. This video will show you how.
August 12, 2014, 04:39 AM
http://alex4d.com/notes/item/final-cut-pro-x-virtu...
In June 2014, Alex Lindsay of Pixel Corps hosted the first Final Cut Pro X Virtual User Group. It was a live internet broadcast that featured Steve Martin, Mark Spencer, Sam Mestman and Michael Garber. Using a very clever setup, all in-studio hosts sat around a table - each having a monitor and mouse that controlled the same copy of Final Cut Pro X running on a Mac. Each person had their own camera which could pull out for wider shots. Everyone sitting around teh same table made eyelines be...
August 11, 2014, 08:44 PM
http://www.screeneditors.com.au/event-report-autod...
AUTODESK SMOKE 2015 LAUNCH EVENT. JUNE 2014 So here I am. It’s Wednesday night, it’s pretty fresh outside and I’m in a nondescript building tucked away in North Sydney peering into glass cabinets. All I can see in this place is loads of gizmos & other assorted camera bits & bobs from a time gone [...]
August 11, 2014, 08:41 PM
https://www.videoguys.com/Blog/E/Boris+Red+55+for+...
Kevin P. McAuliffe gives you a run-down of why he turns to RED 5.5 for quick and easy title creation, stylized looks, and custom transition creation in Avid Media Composer. Plus, the new green dot mode. (RED 5.5 is the successor to Avid FX) RED 5.5 is cross-platform and fully integrated into your NLE - Adobe, Avid, Apple, Sony, and now Davinci Resolve. It can also be accessed as a stand alone.
August 11, 2014, 06:42 AM
http://www.thepoweredit.com/stop-giving-away-the-a...
This idea, when applied properly, can improve the impact of literally any project you cut. But first, an embarrassing story. Years ago, a friend and I went to an improv comedy show in Hollywood. I had very little idea what improv was but still volunteered when asked for audience members to come up on stage […]
August 11, 2014, 06:42 AM
http://provideocoalition.com/aadams/story/here-are...
Olympic codec rankings. AVCHD is the most accurate... pic.twitter.com/ncRykgBznq — Shane Ross (@comebackshane) July 16, 2014 Everything I know about codecs could fit on the head of a dime. That's after compression, of course. Prior to compression I...
August 11, 2014, 06:41 AM
http://www.hollywoodreporter.com/behind-screen/sig...
VANCOUVER—Palmer Luckey , the original creator of Oculus Rift and co-founder of Oculus VR, said that the mass adoption of augmented and virtual reality is inevitable, but it was premature to say it was here already.
August 11, 2014, 06:36 AM
http://provideocoalition.com/jantunes/story/micros...
From smartphones to DSLRs, all modern equipments seems to offer video capture as an option. It's only natural that people capture videos of all the things around them, many times in what can be called a first-person perspective, as those videos are captured from helmet, chest mounted or hanheld cameras, that offer extreme portability but little or none form of stabilization able to suppress the shaky results usually seen in the final movie.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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