It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 18, 2015, 04:55 AM
http://www.provideocoalition.com/the-top-15-insigh...
September 18, 2015, 04:55 AM
https://blogs.creativecow.net/blog/13869/media-off...
computer as the paint, the brush, and the canvas is a tool that I am attempting to use
September 17, 2015, 06:20 PM
http://designingsound.org/2015/09/news-a-sound-eff...
In a recent blog post, A Sound Effect spoke to sound de […]
September 17, 2015, 06:18 PM
https://news.creativecow.net/story/879748
(New York, NY--September 17, 2015) When Ken Burns’s 11-hour documentary The Civil War first aired on PBS in 1990, it set new standards for television documentaries through its astonishingly detailed, sweeping and often heart-wrenching recount of the epic conflict between the North and South. Working under the direction of Burns and Restoration Producer Daniel J. White, Technicolor PostWorks New York participated in a meticulous 4K restoration that brings the classic documentary vividly back to...
September 17, 2015, 02:02 PM
http://www.cartoonbrew.com/business/in-further-vfx...
It’s the latest in a series of acquisitions aimed at strengthening Technicolor’s portfolio. Earlier this year, Technicolor acquired French animation and post-production company, Mikros Image. Two months before that, Technicolor acquired French independent animation producer, OuiDo Productions.
September 17, 2015, 11:22 AM
http://blogs.adobe.com/conversations/2015/09/adobe...
Adobe MAX is only a couple of weeks away, and we’re getting excited for all the cool creative happenings at the event. If you’re not able to join us live in Los Angeles (which you should), you can still see what’s coming next for Creative Cloud and get inspired by some amazing speakers. All you need to do is sign up to watch the MAX keynotes online, starting October 5 at 9:30a.m. PT and October 6, at 10a.m. PT. Check out highlights from 2014 – you’ll see the keynotes are not...
September 17, 2015, 11:22 AM
http://postperspective.com/ibc-2015-blog-audio/
By Simon Ray Last year, I wrote about the potential of a couple of audio products, namely the DAD audio interfaces and the Avid S6. I have had the opportunity to put both of these products into an install at the recently completed 7.1 theatrical mix room (Theatre 2) at Goldcrest in London. The DAD lived up to its promise and is the cornerstone of this install. With its comprehensive i/o and routing it makes the set up of a “mixing in the box” room a reality that can handle large theatr...
September 17, 2015, 11:21 AM
http://www.indiewire.com/article/5-reasons-to-go-t...
There are excellent reasons to exchange two to five years of your life for a significant sum of money.
September 17, 2015, 11:21 AM
http://barefeats.com/ipadpro.html
If, like me, you are using your iPad as a laptop surrogate, then having a laptop size screen is a big advantage. The iPad Pro screen is bigger than the 12" MacBook Retina and as big as the 13" MacBook Air and 13" MacBook Pro Retina.
September 17, 2015, 11:21 AM
http://logic-pro-expert.com/logic-pro-blog/2015/09...
I just finished the revision for my two bestselling Logic books “Logic Pro X – How it Works” and “Logic Pro X – The Details“.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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