It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 8, 2020, 01:27 PM
https://americancinemaeditors.org/in-memoriam-mort...
Morton “Morty” Fallick, a versatile and pioneering film editor, director and producer died Wednesday April 22nd at the Motion Picture & Television Country Home in Woodland Hills, California, he was 86. Mr. Fallick was born in New York City on November 7, 1933 and grew up in the Bronx. He was the son of Marion, nee Haymes, and Robert Fallick, a film projectionist and sound engineer. In his early 20’s Morton began his career in editorial at RKO Pathé working in animation. After honing h...
May 6, 2020, 01:13 PM
https://www.screeneditors.com.au/editing-love-on-t...
By Simon Callow-Wright Take us through the process involved in editing 'LOTS'? My co-editor Rachel Grierson-Johns and I would start by assembling together scenes for a character. Once everything was assembled, we’d compile all these scenes together into a character string-up, which was usually around 30 minutes long. We’d take three of these string-ups, fold them […]
May 1, 2020, 01:43 PM
https://www.premiumbeat.com/blog/symmetry-color-ci...
In this cinematography breakdown we look at how Blade Runner 2049 used color to tell a story through light and sound.
April 22, 2020, 12:50 PM
https://postperspective.com/working-from-home-vfx-...
By Randi Altman With the COVID-19 crisis affecting all aspects of our industry, we’ve been talking to companies that have set up remote workflows to keep their studios moving along with work. One of those studios is The Molecule, which is based in New York and has a location in LA as well. Continue reading → April 21, 2020 The post Working From Home: VFX house The Molecule appeared first on postPerspective.
April 22, 2020, 12:49 PM
http://manhattaneditworkshop.blogspot.com/2020/04/...
Read the full review here: https://jonnyelwyn.co.uk/film-and-video-editing/learn-colour-grading-from-professional-colorists/
April 7, 2020, 02:11 PM
https://digitalfilms.wordpress.com/2020/04/04/the-...
Apple has launched its new TV+ service and this provides another opportunity for filmmakers to bring untold stories to the world. That’s the case for The Banker, an independent film picked up by Apple. It tells the story of two African American entrepreneurs attempting to earn their piece of the American dream during the repressive […]
April 4, 2020, 02:57 PM
https://lappg.com/get-to-great-faster-with-premier...
Adobe Video Livestream Series with Jason Levine and special guests, April 14 – 17, 2020 It’s a little different this year, without the NAB buzz we’re all used to, on the show floor and in the news. While we can’t travel to tradeshows these days, we can still connect with each other. Starting at 9:30am PT on April 14th, Adobe is […] The post Get to Great Faster with Premiere Pro and the Adobe Apps – April 14-17th, 2020 appeared first on lappg.
April 4, 2020, 02:56 PM
https://www.provideocoalition.com/free-nuke-traini...
Always been curious about Nuke, Foundry’s VFX package, but didn’t know where to start? Start Monday at 10am with this free live intro course. Ask all the dumb questions you...
April 1, 2020, 01:00 PM
https://postperspective.com/words-of-wisdom-from-e...
We are all living in a world we’ve never had to navigate before. People’s jobs are in flux, others are working from home, and anxiety is a regular part of our lives. Through all the chaos, Jesse Averna has been a calming voice on social media, so postPerspective reached out to ask him to address our readership directly. Continue reading → March 30, 2020 The post Words of wisdom from editor Jesse Averna, ACE appeared first on postPerspective.
April 1, 2020, 12:59 PM
https://www.redsharknews.com/post/item/7095-sound-...
Review: Sound is very much the most under appreciated part of production, whether that's documentary or feature films. But the job of the sound designer is essential. Sound Design with Eugene Gearty will make you appreciate the discipline even if you are in other areas of production. sound design with Eugene Geartyfoley soundhow to become a sound designerHugo sound designEugene GeartyFilmmaker U
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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