It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 8, 2013, 07:12 AM
http://kyleesportfolio.com/blog/?p=1407
In the interest of self-promotion, I was in a local production magazine recently. Unfortunately my description didn’t really translate, but hey, my picture is there.
September 5, 2013, 08:08 PM
http://filmmakermagazine.com/76024-the-future-of-s...
The Future of Storytelling has announced the date of its second annual summit — October 3, in New York City. In the interview below, the National Film Board of Canada’s Tom Perlmutter expounds on his belief that new forms of storytelling will change the world.
September 5, 2013, 04:27 AM
http://if.com.au/2013/09/05/article/WORKFLOW-SERIE...
IF - Australia's filmmaker magazine. Film and Television Industry News and Issues for Australian Content Creators
September 5, 2013, 04:27 AM
http://if.com.au/2013/09/05/article/WORKFLOW-SERIE...
IF - Australia's filmmaker magazine. Film and Television Industry News and Issues for Australian Content Creators
September 4, 2013, 04:46 PM
http://twainthestoryteller.wordpress.com/2013/09/0...
John Murphy is a freelance editor based in Dublin, Ireland. He has worked across Film and Television cutting documentary, drama, comedy and music. He has cut over 100 broadcast shows for television including award-winning documentaries “When Ali Came to Ireland” and “Rás Tailteann”. As well as TV work, he has cut several feature films including […]
September 3, 2013, 09:40 AM
http://www.premiumbeat.com/blog/streamline-client-...
In this post we take a look at Kollaborate, a cloud based client review app for video editors.
September 3, 2013, 09:34 AM
http://feedproxy.google.com/~r/deysonortiz/feed/~3...
Free web optimization for web images. I thought this was a handy dandy little tool for anyone that needs to make their image file sizes smaller for their websites. They have a FREE web interface option for you to use. You know I love free! Web Interface · Kraken.io. © Deyson for Deyson Ortiz, 2013. […]The post Optimize your images with blazing speed · Kraken.io appeared first on Deyson Ortiz.
September 1, 2013, 05:52 AM
http://nofilmschool.com/2013/08/edit-blackmagic-ma...
I’ve been talking a lot about offline/online workflows lately — how they have, in principle, been used for ages, and still play today, tape or no tape. Such a post production process allows less fortunate folks (such as myself) to work with footage like Blackmagic Camera CinemaDNG and Magic Lantern RAW on hard-pressed machines.
August 31, 2013, 03:48 PM
http://kirstenstudio.com/archives/4163
Crafting a story is about making choices. What information is essential to the narrative, whether it be for artistic, practical, or emotional reasons, as a storyteller, one has to constantly make choices, cut by cut, frame by frame. Any choice has the potential to drastically change story direction. With a feature length film, a filmmaker, [...]
August 31, 2013, 12:08 PM
http://tribecafilm.com/features/adam-epstein-editi...
'SNL' editor Adam Epstein argues that the job of an editor now encompasses many surprising new roles, from sound designer, to motion graphics creator, to ego-massager...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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