It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 20, 2014, 03:40 PM
http://www.digitalproductionbuzz.com/2014/06/trans...
Digital Production Buzz June 19, 2014 [Transcripts provided by Take 1 Transcription] [Click here to listen to this show.] HOSTS Larry Jordan GUESTS Kim Furst, Producer/Director, Kilo Foxtrot Films Philip Storey, Co-founder & CEO, XenData, Inc.…
June 20, 2014, 03:35 PM
http://news.doddleme.com/equipment/red-giant-updat...
With its latest update, Red Giant Software has updated BulletProof to support to not only interface with Adobe Creative Cloud 2014, but also provides enhanced support for AVCHD and Canon XF codecs. This will provide greater stability for shooting in the field and will give users greater peace of mind as their footage is backed up directly from the camera’s card. But it also offers greater support for a host of Red Giant apps.
June 20, 2014, 03:34 PM
http://www.hdwarrior.co.uk/2014/06/20/4k-on-1080-2...
If you double click on the picture above you will get a 2560 x 1440 enlargement. Note the info tab tells you about the original material (4K) not the timeline info. I decided to take the dance footage a further stage forward using the scale mode as a zoom, this allows you to contain the shot at the precise moments…this level of control is not available to you on one off live vision mix, in other words “off the hoof without a rehersal”.
June 20, 2014, 07:06 AM
http://www.fcp.co/final-cut-pro/tutorials/1442-rep...
Didn't stay up last night to watch the roundtable Final Cut Pro X discussion? No problem as the whole recorded event is now on Youtube. Over two hours of tips and tricks to watch.
June 19, 2014, 10:39 PM
https://finalcutprox.net/live-event-final-cut-pro-...
Michael Garber, Sam Mestman, Steve Martin, and Mark Spencer are streaming a live Q&A session talking about Final Cut Pro X. The event starts at 6PM PST on Thursday, June 19, 2014. Watch the live video stream here.
June 19, 2014, 10:38 PM
http://feedproxy.google.com/~r/richardharringtonbl...
Multicamera editing is a convenience and a very handy feature in Adobe Premiere Pro CC. You’re essentially making the initial edit. With the example I’m giving here, I recommend to watch this sequence a few times to get familiar with the angles. In this course I’ll walk through selecting and recording multicamera edits. Improved Multicamera Workflows: Recording Multicamera EditsTo learn more, I’ve created a new course called, Premiere Pro Creative Cloud Updates, for Lynda.comh...
June 19, 2014, 10:38 PM
http://alex4d.com/notes/item/future-fcpx-hidden-in...
iMovie and Final Cut Pro X are based on the same code. They are updated out of sync. Final Cut Pro X was last updated in January 2014, iMovie in April 2014. As new features were added to iMovie, there’s a good chance the common code was updated as well. I took a look inside iMovie 10.0.3 to see if there are some non-iMovie elements we might see in a future version of Final Cut. As iMovie and Final Cut are designed to work all over the world, user interface text is stored in different lan...
June 19, 2014, 04:18 PM
http://www.dmwmedia.com/news/2014/06/19/adobe-upgr...
TechCrunch reports that Adobe focuses to establish itself as more of a service platform today with an emphasis on mobile first and the largest overhaul of...
June 19, 2014, 04:17 PM
http://www.postmagazine.com/Press-Center/Daily-New...
BURLINGTON, MA — A number of Avid (www.avid.com) customers were recognized with nominations for the Daytime Creative Arts Emmy Awards. Presented by the National Academy of Television Arts & Sciences (NATAS) as part of the 41st Annual Daytime Emmy Awards taking place tomorrow in Los Angeles, the awards honor the craft behind the shows that define the daytime genre. Many of the winners and nominees for outstanding editing made use of Avid’s Media Composer.
June 19, 2014, 04:16 PM
http://www.premiumbeat.com/blog/how-to-remove-chro...
Chromatic aberration can be a really annoying, and visually off-putting, phenomenon to deal with. The following video tutorial will show you how to get rid of the "purple haze" in Adobe After Effects.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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