To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Murch on Editing and His Translations of Malaparte
June 3, 2013, 05:24 PM
http://filmmakermagazine.com/72060-walter-murch-on...
While editing The Unbearable Lightness of Being in France, Academy Award-winning film editor and sound designer Walter Murch came across a reference to Italian
SOUND EDITING FROM THE HEART ON "MAX ROSE"
June 3, 2013, 11:04 AM
http://thepostlab.com/sound-editing-from-the-heart...
The Monkeyland team and I have had the privilege of completing audio post production on MAX ROSE, the story of an octogenarian pianist who makes an unsettling discovery following the death of his wife. Legendary funny man, Jerry Lewis stars in the titular role, and the film is currently being screened at this year’s Cannes Film Festival in his honor.
From Dailies to Oscar Nominations
May 29, 2013, 06:42 AM
http://provideocoalition.com/createasphere/story/f...
The Invisible Art: Visible Artists panel features all of the Academy Award nominated editors to discuss the art of editing the day before the Oscars. John Trask (MPEG President) introduced ACE President and moderator Alan Heim, and the panel consisted of Crispin Struthers (Silver Linings...
Editor Kabir Akhtar solves AD's S4 puzzle
May 27, 2013, 10:57 AM
http://www.scpr.org/blogs/news/2013/05/24/13784/in...
"Arrested Development" lead editor, Kabir Akhtar, sat down with KPCC to talk about building the ultimate puzzle.
Top Posts for May 20-24, 2013
May 25, 2013, 09:43 AM
http://www.aotg.com/index.php?page=may20-24
Here's the top posts for this past week, did we miss something? If so tell us in the comments below!
Romancing a Trilogy
May 23, 2013, 05:05 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
Arguably a highlight in the career of Sandra Adair, A.C.E., and her 20-year and 16-feature collaboration with Richard Linklater, has been cutting the director’s acclaimed romantic trilogy about soul mates Jesse (Ethan Hawke) and Celine (Julie Delpy): Before Sunrise (1995), Before Sunset (2004) and, the latest, Before Midnight, which opens May 24 through Sony Pictures Classics.
When ‘The Hangover’ Strikes Back
May 23, 2013, 05:05 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
With franchise films becoming increasingly commonplace as studios look to capitalize on past successes and brands, so are recurring creative teams, who stick together through the series. Such has been the case with Debra Neil-Fisher, A.C.E., and her collaborations with director Todd Phillips on The Hangover trilogy, as well as Jay Roach on the Austin Powers films. While Hangover Part II was co-edited with Mike Sale, Part III — which opens May 24 through Warner Bros. — sees the co-editorship ...
Rendez-vous
May 14, 2013, 04:51 AM
http://journaldunemonteuse.wordpress.com/2013/05/1...
Ce matin j’ai rendez-vous. J’ai rendez-vous avec un corpus de rushes pour notre première rencontre. Ils sont nombreux. Des quantités de petits fragments. Des morceaux d’un réel passé, vécu, parlé, filmé. Je sais que nous allons travailler ensemble pendant 5...
The Art of Documentary Editing: Case Studies
May 12, 2013, 01:13 PM
http://thefilmpanelnotetaker.com/the-art-of-docume...
The Karen Schmeer Editing Fellowship was founded to recognize, discuss and promote the contributions of documentary editors. The year-long experience honors the memory of Karen Schmeer, a talented, young editor who launched her career by successfully crafting what Errol Morris called an “uneditable” film – Fast, Cheap and Out of Control (1997). She went on to work with Morris and other directors on a large number of feature docs before her life was tragically ended by a hit-and-run driver ...
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.