It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 15, 2015, 11:03 AM
http://www.aotg.com/index.php?page=audio_levels_me...
Probably the most frequent question I get from editors is about a target level for their audio mix. I hear numbers such as 0 dB, -6, -18, etc., which typically refer to dBFS (decibels relative to full scale) as reflected on the built-in Peak Program Meters (PPM) in their NLE.
July 15, 2015, 09:45 AM
http://www.thecredits.org/2015/07/trainwreck-edito...
Some editors might look for the most perfectly delivered take to put in a movie. But not editor William Kerr, who took the lead editing Amy Schumer-led, Judd Apatow-directed comedy Trainwreck.
July 15, 2015, 09:43 AM
http://www.premiumbeat.com/blog/color-grading-tips...
Using footage from different types of cameras can make color grading a challenge. Here are some tips to make the process easier.
July 14, 2015, 05:19 PM
https://www.909music.com/blog/post/do-you-think-cg...
What is being called as “The WETA effect” is the over use of special effects, that many have come to feel, ruins the movie watching experience for them. Animators are worried this taking over films in a not-so-good way.
July 14, 2015, 05:18 PM
http://postperspective.com/panels-set-augusts-edit...
EditFest Los Angeles is taking place on August 1 in Disney Studios Main Theatre in Burbank. EditFest LA 2015 includes a full day of panels — filled with experienced editors talking about a variety of projects — as well as a one-on-one conversation with Arthur Schmidt and an opportunity to network. To kick off the event, Steven Rivkin, ACE, and ACE VP will address the crowd. Then the panels begin. Here is the schedule: “From the Cutting Room to the Red Carpet” Elisa Bonora, ...
July 14, 2015, 09:29 AM
http://www.provideocoalition.com/3d-text-fly-throu...
July 14, 2015, 09:28 AM
http://www.cgmeetup.net/home/renderman-for-blender...
An Intro to Pixar RenderMan for Blender, Tutorial using the RenderMan plugin for Blender, the free and open source 3D creation suite.
July 14, 2015, 05:38 AM
https://cuttingroomtales.wordpress.com/2015/07/14/...
How to Work with an Editor ☛ I wrote some time back encouraging directors to work with editors, rather than cutting their own material. My colleagues in the cutting room report that they are working with an increasing number of the directors who are using an editor for the first time. Many of those directors … Continue reading →
July 14, 2015, 05:37 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“If you can't do spiral eyes, how do you hit on girls?” — Mike A young New Yorker walks away, seemingly calm fro...
July 13, 2015, 09:27 AM
http://www.premiumbeat.com/blog/how-to-batch-expor...
Need to export a lot of sequences or clips at the same time? No problem! Here's how to batch export in Premiere Pro.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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