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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Codecs, Codecs, Codecs - The Past, Present and the

December 14, 2018, 10:13 AM

http://www.fcp.co/final-cut-pro/articles/2133-code...

It has been a busy week for codec news. We try to sift through the information, dispel the FUD and come out the other side in one piece.

Behind the Title: Exile Editor Kyle Brown

December 11, 2018, 01:17 PM

https://postperspective.com/behind-the-title-exile...

With recent spot work that includes jobs for Comcast, AT&T, T-Mobile and Trojan, this editor jokes, “A good Netflix and chill Tinder date was made possible thanks to the results of my commercial work.” Name: Kyle Brown Company: New York- and Santa Monica-based Exile Can you describe your company? Continue reading → December 11, 2018 The post Behind the Title: Exile Editor Kyle Brown appeared first on Randi Altman's postPerspective.

Pixar and the Craft of Storytelling

December 11, 2018, 06:11 AM

https://gointothestory.blcklst.com/pixar-and-the-c...

20 movies produced. 19 movies #1 at the box office. Worldwide B.O. gross $13.3 billion. Average B.O. per film: $663M by far the highest average per film of any studio in Hollywood history.

MOVIE NIGHT! “TERROR NULLIUS” – SYDNEY

December 11, 2018, 06:10 AM

https://www.screeneditors.com.au/movie-night-terro...

MOVIE NIGHT! A (semi) regular event where Editors show and discuss their work. EXTRA! EXTRA! Movie Night is verrrry excited to be able to bring you an extremely special event! New York based sample artists Soda_Jerk will be in Sydney in January, and have agreed to join us for a break-down of their controversial work […]

Oscar-nominated editor Juliette Welfling

December 6, 2018, 06:01 AM

https://www.provideocoalition.com/aotc-welfling

Juliette Welfling is the winner of five Cesar Awards (France’s “Academy Awards”). She was nominated for an Oscar for editing The Diving Bell and the Butterfly (2007). She was a co-editor with Stephen Mirrione and Christopher Capp on Hunger Games (2012) and was an editor on Ocean’s Eight (2018).

Virtual Roundtable: Storage

December 5, 2018, 05:05 AM

https://postperspective.com/virtual-roundtable-sto...

By Randi Altman The world of storage is ever changing and complicated. There are many flavors that are meant to match up to specific workflow needs. What matters most to users? Scalability, speed, data protection, the cloud and the need to handle higher and higher frame rates with higher resolutions — meaning larger and larger files. Continue reading → December 4, 2018 The post Virtual Roundtable: Storage appeared first on Randi Altman's postPerspective.

Tom Cross Took a Giant Leap for Editors With First

December 4, 2018, 06:03 AM

https://filmschoolrejects.com/editor-tom-cross-fir...

Considering how 'First Man' oscillates between filmmaking styles, editing creates the intense atmosphere necessary for a highly satisfying take on the Moon landing...

Nvidia TITAN RTX, the world’s most powerful desk

December 3, 2018, 09:56 AM

https://www.provideocoalition.com/nvidia-titan-rtx...

Dubbed T-Rex, Nvidia’s new Titan RTX is announced as the world’s most powerful desktop GPU, providing massive performance for AI research, data science and creative applications.

Exploring Lalo Schifrin's Dirty Harry Titles

December 3, 2018, 06:03 AM

https://filmschoolrejects.com/lalo-schifrin-dirty-...

There’s a thrill that music in a film can give us that can make us forget our objections and concerns. When the right music is synced up to a well-edited sequence, we can be forgiven for being lost in the groove, as it were, even if we’re just watching a guy walking around a rooftop. As luck would have it, the person responsible for making a certain inspector off-the-charts cool has just been awarded an honorary Academy Award for his work in film music. His name: Lalo Schifrin.

Made in the Middle (2018)

December 1, 2018, 04:53 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“This is the strangest secret in the world . . .” ...

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