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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Academy Color Encoding System (ACES) to be Explore

May 30, 2015, 06:08 AM

http://soundandpicture.com/2015/05/academy-color-e...

Los Angeles, CA — ACES, the new Academy Color Encoding System, will be explored by a panel of experts at Cine Gear at the Sherry Lansing Theater at Paramount Studios in Hollywood on June 6 from 10:15 a.m. to 11:30 a.m. Titled ACES for Hands-on Filmmakers, the panel is presented by the International Cinematographers Guild (ICG, IATSE Local 600) and the American Society of Cinematographers (ASC) Technology Committee, in cooperation with the Academy of Motion Picture Arts and Sciences (AMPAS).

Supply Closet Animation Pickup

May 30, 2015, 06:08 AM

http://animationguildblog.blogspot.ca/2015/05/supp...

HBO has given a two-season pickup to the animated series “Animals” produced by the Duplass Brothers.

New Fox Studios Building

May 29, 2015, 11:47 AM

https://vimeo.com/129236836

I had the pleasure of visiting the new Jeff Harlacker Production building at Fox Studios with Jeff Harlacker himself and thought I would share that with the world.Cast: Alan BellTags: Jeff Harlacker

Comedy…”It’s an Interesting Thing to Try and

May 29, 2015, 09:49 AM

http://designingsound.org/2015/05/comedy-its-an-in...

Chris Scarabosio is a sound designer and re-recording m […]

Digital Juice Lifetime Membership Subscription Ser

May 29, 2015, 09:48 AM

http://www.studiodaily.com/2015/05/digital-juice-l...

Lake Mary, FL, May 29, 2015 – Today, Digital Juice announced the official opening of its much anticipated royalty-free creative content subscription service. This service gives filmmakers, motion graphics artists and graphic designers access to download anything in its huge … more » The post Digital Juice Lifetime Membership Subscription Service Launches Today appeared first on Studio Daily.

8 ways to conquer creative block

May 29, 2015, 09:47 AM

http://www.creativebloq.com/web-design/8-ways-conq...

Designer's block is a downward spiral. It's a lot like quicksand – the more your struggle, the deeper you go. But what are you supposed to do, just sit there and sink?

Story behind Audio Network's Classical Collection

May 29, 2015, 08:05 AM

http://us.audionetwork.com/content/classical-colle...

Almost all classical music available from music libraries is simply licensed from record labels; the recordings are really designed for home listening. As far as we are aware, no one has ever undertaken the huge task of arranging, recording and mixing the key repertoire specifically for media use – and certainly not using big orchestras, choirs and top soloists at Abbey Road Studios.

La última palabra: Reescrituras en la sala de mon

May 29, 2015, 03:42 AM

http://saeditores.org/Novedades/La-ultima-palabra-...

En el marco del 17° Festival Internacional de Cine de Buenos Aires (BAFICI), la SAE en conjunto con la EDA organizaron la mesa redonda La última palabra: Reescrituras en la sala de montaje, con la participación de Loli Moriconi (EDA) y Alejandro Carrillo Penovi (SAE) como expositores, y Alberto Ponce (SAE) en el rol del moderador.Organizado por las Comisiones de Festivales de la SAE y de Cultura de la EDA, el propósito del encuentro era discutir sobre las modificaciones que surgen en la...

California UpSwing

May 29, 2015, 03:39 AM

http://animationguildblog.blogspot.ca/2015/05/cali...

Amid rising optimism about California’s status as a production center, producers returned to California last year in a big way as the state became the top site for major feature films with 22 of the top 106 projects, according to a new Film L.A. study.

Sound Devices and Mad Max: Fury Road

May 29, 2015, 03:39 AM

http://www.content-technology.com/asiapacificnews/...

As the title implies, Mad Max: Fury Road is a mad and furious, high-action post-apocalyptic film set in a desert wasteland. The plot calls for a warlord’s harem to race across the sandy landscape in a desperate, high-speed bid for freedom from his ruthless henchman. Both escapees and their pursuers form an “armada” of armored vehicles. Hidden within that sandstorm were members of the audio crew, trying to capture every bit of dialogue and sound effects, all while in motion. Faced with such...

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