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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

#WallyCam Sneak Peak with Small Tree Communication

April 7, 2014, 10:09 AM

http://walterbiscardi.com/wallycam-sneak-peak-with...

It’s Sunday afternoon, the day before the NAB Show Floor opens and I got a sneak peek at the new Titanium Z Shared Storage System that runs the brand new Zen OS. This operating system was developed in-house at Small Tree to get the maximum performance out of their systems AND allow Small Tree to […]

Editing 4K Video: Minimum System Requirements

April 7, 2014, 10:09 AM

http://nonlinearpost.com/editing-4k-video-system-r...

Editing 4K Video: Minimum System Requirements Editing in 4k is not for the faint of heart. It is kind of like opening Pandora’s box. There are many considerations that one must reckon with, most of which affect budget and others that involve making wise decisions. This article is of particular value when it comes to considering both. A good read. –Stu Brown Editing in 4K: Minimum System Requirements Looking to edit 4K footage? Needing a bigger and better machine to […] The post Editin...

FT-ONE 4K Camera: NAB 2014 Debut 4K Extraction Sys

April 7, 2014, 10:09 AM

http://nonlinearpost.com/ft-one-4k-camera-4k-extra...

FT-ONE 4K Camera: NAB 2014 Debut 4K Extraction System NAB 2014: FOR-A to Show New Version of FT-ONE 4K Variable Frame Rate Camera, Debut 4K Extraction System Cypress, CA – At the upcoming NAB Show in Las Vegas, FOR-A will showcase a new version of its FT-ONE 4K super slow motion camera. The new version of the FT-ONE offers fiber I/O connections built directly into the unit for ease of use when shooting from the field. The company’s new ZE-ONE 4K extraction system will also be a ...

Electro-Swag to Post-Production Swagger

April 7, 2014, 08:57 AM

http://coatofarmspost.com/electro-swag-to-post-pro...

For Chae Hawk's "Heartlock" music video, Coat of Arms had two editors working together to create a unique editorial style: “Given the nature of the song, which is a really cool hip-hop track with some dubstep influences, we were inspired to use glitch and twitch effects in the edit.”

Editing a Music Video for Gemini Club

April 7, 2014, 08:50 AM

http://coatofarmspost.com/gemini-club/

he video for Gemini Club’s “Can’t Believe You Said That” was shot on the Red Epic. Coat of Arms edited the music video in Premiere cs5.5, making the 5k R3D files more manageable. Premiere does not require conversion of R3D files, unlike Final Cut Pro 7. Times are changing in the world of professional editing software.

Editing a Music Video for O'Brother: "Lo"

April 7, 2014, 08:49 AM

http://coatofarmspost.com/obrother/

Coat of Arms details what went into the frenetic edit for O'Brother's music video for "Lo." Shot on Red and editing in Premiere cs 5.5 RAW, there were a few workaround required to make this work. Read on, if you're interested in the editorial process, and color.

All about backups in Final Cut Pro X

April 6, 2014, 03:06 PM

http://www.fcp.co/final-cut-pro/tutorials/1361-all...

Backups, not the most glamorous of subjects, but an important one. You'll never know how important keeping a backup is until you need it. Good job we have Steve and Mark on the team to tells us more.

Interviews of the Week #14 | The Art of VFX

April 6, 2014, 03:06 PM

http://www.artofvfx.com/?p=6596

In 2011, Danielle Plantec had detailed to us the work of Scanline VFX on IMMORTALS. She then worked on films such as IRON MAN 3, MAN OF STEEL or THE WOLF OF WALL STREET. In 2012, Byan Hirota talked about his work on SNOW WHITE AND THE HUNTSMAN at Pixomondo. He has moved then to Scanline VFX. Today, they explain in detail their work on the sequel of 300.

NAB 2014 News: Avid introduces Avid MediaCentral P

April 6, 2014, 10:34 AM

http://www.redsharknews.com/production/item/1584-n...

Avid’s Vegas started by introducing its new Avid MediaCentral Platform and a set of modular application suites that it claimed “together represent the most open, integrated, and flexible media production and distribution environment in the industry.” ISIS added 4K support too. AvidNAB 2014

NAB: Avid Details Strategy for Connected Work Envi

April 5, 2014, 04:10 PM

http://www.hollywoodreporter.com/behind-screen/nab...

LAS VEGAS — Avid kicked off its inaugural Avid Customer Association event and launched its ‘Avid Everywhere’ strategy, Saturday at the Bellagio, timed with the start of the NAB Show.

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