It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 13, 2015, 02:13 PM
http://logic-pro-expert.com/logic-pro-blog/2015/05...
In this free video, you can see and hear how Eli Krantzberg uses the McDSP ML4000 limiter and multi-band dynamics processor in Logic Pro X.
May 13, 2015, 09:27 AM
http://www.btlnews.com/news/the-sound-of-avengers-...
In this exclusive sound profile, SoundWorks Collection talks with supervising sound editor and sound designer Christopher Boyes from Skywalker Sound about his work on Avengers: Age of Ultron.
May 13, 2015, 09:26 AM
http://www.finalcutpro.es/2015/05/video-correccion...
Hemos preparado este vídeo en el que desgranamos algunas técnicas útiles para corregir color en Final Cut Pro X, especialmente a partir de la versión 10.2, que incluye cambios significativos en la gestión de la corrección de color.
May 13, 2015, 09:26 AM
http://www.premiumbeat.com/blog/remove-warp-from-w...
Warp stabilizer is a great tool, but sometimes it becomes part of the problem instead of a solution. Smooth out your footage with the following handy tips!
May 13, 2015, 09:25 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“How many lives do you think would have been saved if we'd done in 1990 what we're doing now?” — Dr. Bruce Brundage ...
May 13, 2015, 09:25 AM
http://www.fcp.co/final-cut-pro/articles/1664-firs...
We all know about the workflow used on the feature film Focus. But what about the directors' next film that they are working on? Kevin Bailey gives an insight into how the Hollywood feature film Fun House is organising its footage in FCPX.
May 13, 2015, 09:24 AM
http://www.fcp.co/final-cut-pro/articles/1663-docu...
As much as we love the 10.2 update to Final Cut Pro X, it isn't perfect. The new additions such as the 3D Text titles are lovely, but the update also brought a range of bugs. Here a a few of the annoying ones!
May 13, 2015, 09:24 AM
http://collider.com/avengers-2-vfx-videos/
I don’t know how we could make the modern superhero movie without advanced CGI effects. There’s no way Sam Raimi’s Spider-Man could have been even moderately believable without CG, and superhero movies have been topping it ever since.
May 13, 2015, 09:23 AM
http://www.raindance.org/cinema-2-0-microcinema-ma...
Cinema 2.0 is A NEW APPROACH TO DIY FILM PRODUCTION, MARKETING and DISTRIBUTION working outside of the accepted mainstream cinema industry. It's about leveraging your peer-to-peer marketing and online digital distribution for your own original cinema making your authentic, artisanal and original programming for enjoyment worldwide.
May 13, 2015, 04:55 AM
http://www.redsharknews.com/post/item/2581-redshar...
RedShark Technical Editor, Phil Rhodes, reviews Tiffen's new standalone and plug-in package of digital filters that mimics its popular line of optical filters. TiffenDFX 4optical filtersfiltrationdigital filtersReviewPromistSoft FXUltra Contrast
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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