Technicolor-PostWorks' Baselight workflow helps l

April 28, 2015, 12:29 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK — Technicolor-PostWorks NY has long employed FilmLight’s Baselight for high-performance grading, both for television dramas and documentaries. In recent months, the studio has found that FilmLight’s Baselight Editions for Avid — an integrated plug-in for Media Composer and Symphony — has been able to enhance the grading capabilities within its existing editing software, as well as open up the possibility of a fluid and flexible exchange of grades between editors and colori...

Q&A: Sean Mullen, Rampant Design Tools

April 28, 2015, 12:28 PM

http://www.studiodaily.com/2015/04/qa-sean-mullen-...

Founded in 2010, the Rampant Design Tools effects library has come on strong over the last two years. In 2013, the company opened a studio space in Orlando, FL, where founder Sean Mullen creates drag-and-drop effects as QuickTime (Apple ProRes) elements using … more » The post Q&A: Sean Mullen, Rampant Design Tools appeared first on Studio Daily.

Hollywood Feature Film Editing with FCP X

April 28, 2015, 12:28 PM

http://fxfactory.com/blog/effects-2/hollywood-feat...

FCP X plugins and 3rd party tools were used on the feature film. This includes HandHeld which is available through FxFactory.

PVC at NAB 2015: Talking Cinema 4D with Paul Babb

April 28, 2015, 12:28 PM

http://provideocoalition.com/pvc-at-nab-2015-talki...

Contemplating the Cut

April 28, 2015, 12:27 PM

http://www.sundance.org/blogs/program-spotlight/co...

In Saturday, April 18, the Sundance Institute Documentary Film Program and the Karen Schmeer Film Editing Fellowship hosted a half-day of panel discussions with a gathering of documentary film editors, directors, and producers to discuss the art of editing. The goal of the day and future events is to shine a light on the role of the editor in the filmmaking process, build community, and celebrate an under-explored and often misunderstood collaboration between director and editor.

Better Black and White in DaVinci Resolve

April 28, 2015, 09:30 AM

http://www.premiumbeat.com/blog/better-black-and-w...

There's more to monochrome than dragging the saturation down to zero. Learn the nuances of capturing better black and white in DaVinci Resolve.

UPDATE | FCPX 10.2 and Red Giant

April 28, 2015, 09:28 AM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

Hi Folks – Ever since Apple released the update to FCPX (v.10.2) we have been testing for compatibility with our FCPX-compatible plug-ins. Here’s what our testing has revealed: Magic Bullet Suite - No known issues. Color correct in FCPX with reckless abandon. Universe – No known issues. Everything seems to be running smoothly. Primatte Keyer- No […] The post UPDATE | FCPX 10.2 and Red Giant appeared first on Red Giant.

Mixing Music for Post

April 28, 2015, 09:28 AM

http://www.avidblogs.com/master-the-art-of-post-mi...

The article Mixing Music for Post by Tom Graham appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Why Not #TryCION?

April 28, 2015, 09:27 AM

http://provideocoalition.com/why-not-trycion

NAB 2015 just wrapped up and even though AJA rolled out some relevant news and updates, it was the announcement of the #TryCION campaign that caught my attention. It’s a promotion that is set to put 100 CION cameras with qualified shooters to give them the chance to see how it works and what it feels like to use them.

Playgrounds 2014 (2014)

April 28, 2015, 04:47 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

In Bif’s magnificent title sequence for Playgrounds Festival 2014, glitch is elevated to craft. A cityscape is stretched and shorn, the subject torn loose, like someone placing a thumb and forefinger on a .jpg and pulling at its seams. Blocks of colour demarcate the space, moving from light to dark. Shapes stream in all directions, planes, trains, and automobiles gliding through vibrant Koosh ball landscapes of fluttering filaments.As buildings pour into each other, the sequence drifts fu...