It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 18, 2015, 10:32 AM
http://www.btlnews.com/awards/contender-portfolios...
The rhythm of the editing and pitch-perfect tone of the score became the heartbeat for the emotional conflicts in the Academy-award nominated feature, Whiplash. As part of the Director’s Close-up Series, Film Independent brought together director Damien Chazelle, editor Tom Cross and composer Justin Hurwitz to discuss how they collaborated to enhance the dramatic beats of the story.
February 18, 2015, 10:32 AM
http://www.postmagazine.com/Press-Center/Daily-New...
This year’s visual effects category is as competitive as ever. Just look at the films that didn’t get an Oscar nomination — Edge of Tomorrow, Noah, Godzilla,Maleficent, Transformers: Age of Extinction, The Hobbit: The Battle of the Five Armies — and you realize that there were some incredible VFX created in 2014.
February 18, 2015, 10:31 AM
http://provideocoalition.com/ssimmons/story/day-18...
Today’s Quicktip comes to us from Josh Short of EditVideoFaster.com. It’s an effects based keyframing tip that is buried deep within Avid Media Composer's Effects Editor. It is imperative an editor knows these tips if they want to get the most out of animating effects in Media Composer. Take it away Josh.
February 18, 2015, 05:33 AM
http://provideocoalition.com/awilt/story/hpa-tech-...
The HPA Tech Retreat is an annual gathering of some of the sharpest minds in post, production, broadcast, and distribution – and the 2015 Retreat is now over. As Leon Silverman and Jerry Pierce like to ask, what just happened? If there was one theme that stood out for...
February 18, 2015, 05:33 AM
http://www.avidblogs.com/mpg-awards-andy-bradfield...
In the second of a series of Avid Blogs Music articles celebrating the nominees of this year’s Music Producer Guild Awards, legendary producer and mixer Andy Bradfield gives us an insight into the exciting projects he’s been a part of during his career. The article Mixing the Moulin Rouge and More with Andy Bradfield by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
February 18, 2015, 05:32 AM
http://provideocoalition.com/kmcauliffe/story/medi...
In the last of our 3 part introductory look at 4K workflows inside of Media Composer Subscription, we take a look at taking your Media Composer timeline, sending it via AAF to DaVinci Resolve, have Resolve open your DNxHR media, and then send it back to Media Composer for final client approval!
February 17, 2015, 03:52 PM
http://www.premiumbeat.com/blog/color-grading-blea...
Create extreme color looks in DaVinci Resolve. In this post we share a technique for achieiving the stylized bleach bypass look, reminsent of films like 300 and Sin City. The post Color Grading: Bleach Bypass Looks in DaVinci Resolve appeared first on The Beat: A Blog by PremiumBeat.
February 17, 2015, 03:52 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — The Blue Collar Post Collective is holding its 2015 launch party on Monday, February 23rd in New York City. The newly appointed leadership committee will be there and will detail the Collective’s plans for 2015. Members will also be on-hand, as the event is primarily social, giving young people in the post industry an opportunity to meet, network and share knowledge.
February 17, 2015, 03:50 PM
https://www.videoguys.com/Blog/E/G+Technology+G+DO...
As editor of Pro Tools Expert and weekly contributor to the Pro Tools Expert podcast there's a question I've seen asked again and again, should one chose a desktop or portable hard drive? Desktop hard drives normally offer faster speed and greater capacity, whereas portable drives offer the flexibility of being able to throw them into a bag for a studio session or a gig. The best of both worlds would be nice. G-Technology have come to the rescue with a combination of both desktop Thu...
February 17, 2015, 10:45 AM
http://provideocoalition.com/mspencer/story/managi...
How do you preview sound effects in Final Cut Pro X? If you've been using the Sound and Effects Browser, Steve Martin from Ripple Training has a great tip for you today. In this week's edition of Mac Break Studio, he shows us a method for storing, filtering, and...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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