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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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http://www.mentorless.com/2015/02/11/watch-jaws-sh...

Antonios Papantoniou delivered a video essay that will make filmmakers’ day: a shot by shot cinematic breakdown of Jaws, Steven Spielberg‘s classic, looking at the type of shots, the camera angles, the camera movements, the duration of shots.

Why 'Fix It In Post' Doesn't Work

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https://fstoppers.com/business/why-well-fix-it-pos...

Ever hear someone say “Don’t worry, we can fix it in post”? This is increasingly both a still photography and motion ‘issue’. We’ve so accustomed to having the digital tools to ‘fix’ our work, most people see it as a normal part of the process. For personal and business growth, this mindset is like asking to be blindfolded and then getting directions to the nearest minefield. Fixing things in post should not be a standard approrach as it's asking for trouble. Here’s why, ...

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http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I would send you a bouquet of newly sharpened pencils if I knew your name and address.” — Joe Fox ...

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http://lfhd.net/2015/02/10/avid-mc-advanced-tip-or...

OK, this is a tip for the more advanced user. One who knows their way around the Avid Media Composer software enough to dig themselves out of any hole they might dig themselves into. Or those who know a bit about how Avid MC operates under the hood.  Although some if this is easy enough [...]

BAFTA 2015: Film Craft the Editing Session

February 11, 2015, 07:10 AM

http://www.avidblogs.com/bafta-2015-film-craft-edi...

On the day before its glittering 2015 award ceremony, BAFTA gathered a venerable group of past and present film craft nominees to share their experiences and discuss this year’s nominated films. The article BAFTA 2015: Film Craft the Editing Session by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

5 Things You Should Know About ProRes

February 11, 2015, 07:10 AM

http://www.premiumbeat.com/blog/5-things-you-shoul...

ProRes has gained in popularity as an intermediate codec. In this post we share tips for using ProRes in your video workflow. The post 5 Things You Should Know About ProRes appeared first on The Beat: A Blog by PremiumBeat.