It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 25, 2013, 10:04 AM
http://www.geekazine.com/special/cache-a-procache-...
If you are a broadcaster, media storage on tape is actually your friend. The newest standard – LTO-6 – can keep thousands of scenes, clips and other media. Of course, if you are a bigger production company, you will need larger appliances that can connect and maintain your LTO environment. That is where Cache-A comes in. Calvin Zito talks to Cache-A Mark Ostlund about archiving […]
October 25, 2013, 04:38 AM
http://www.broadcastbeat.com/index.php/lopez-tonig...
Telepictures Productions, the producers of TBS’ Lopez Tonight, needed a reliable workflow and collaborative environment that would support the production demands of a nationally syndicated program, and ultimately selected four Avid Media Composer Nitris DX systems for video editing, Avid AirSpeed Multi Stream ingest and playout servers, an Interplay production asset management system, Interplay Assist and Interplay Access systems, all connected to an Avid Unity ISIS (32 TB) shared storage syst...
October 24, 2013, 07:24 PM
http://smpteconnect.blogspot.com/2013/10/deploying...
Thursday’s program began with a session on deploying video platforms in the cloud, with speakers sharing their experiences and insights.The messages included:--Bhavik Vyes of Amazon Web Services detailed ways to build flexible and scalable media workflows in the cloud, using Amazon Web Services as a platform.This came with a reminder that the increasing size of date files will place stress on the workflow. “It’s getting harder,” he admitted, “especially with the arrival of 4K.”--...
October 24, 2013, 01:06 PM
http://www.cceditors.ca/2013/10/24/spotlight-on-mu...
Spotlight on multimedia artist Nina Helene Hirten, a Canadian Cinema Editors member & the Web/Marketing Advisor on the CCE’s Board of Directors. Premiering 10-24-2013. DEROSNEC is the multimedia audiovisual project of Nina Helene Hirten. Visually, DEROSNEC is a filmmaker and illustrator. Her passion for storytelling has inspired shorts, movies, and graphic novels as well as standalone pieces of drawn
October 24, 2013, 01:06 PM
https://www.videoguys.com/Blog/E/Product+Review+So...
How do you review a product as complex and capable as Sorenson Squeeze? I mean, video compression approaches rocket science. It is very easy to feel overwhelmed and inadequate just trying to compress a single video for YouTube.
October 24, 2013, 01:05 PM
http://provideocoalition.com/createasphere/story/a...
Back in July at SIGGRAPH 2013 I stopped by the Dell Whisper Suite to check out a couple of the new products that were on display and one of them was the Dell Precision M3800 mobile workstation. The folks there shared some key details around what the product would eventually look like but were...
October 24, 2013, 10:02 AM
http://www.redsharknews.com/post/item/1175-clever-...
Lightworks Global Product Manager, Matt Sandford, talks to RedShark about the significant new features in Lightworks 11.5 Lightworks15Lightworks 15
October 24, 2013, 10:02 AM
http://twainthestoryteller.com/2013/10/24/frame-of...
Chicago native Michelle Tesoro began her career at Abkco Music & Records New York as a DVD and Promo editor. Since moving to Los Angeles in 2005, she has cut high-profile television series and feature films including HBO’s THE NEWSROOM created by Aaron Sorkin, Netflix’s HOUSE OF CARDS produced by David Fincher, HBO’s LUCK produced by Michael Mann and David Milch, and NATURAL SELECTION which won Grand Jury Prize at […]
October 24, 2013, 10:01 AM
http://g-technology.tumblr.com/post/64954949330
Meet the G-DRIVE PRO with Thunderbolt! Featuring the most powerful I/O technology ever introduced, G-DRIVE PRO with Thunderbolt delivers flexible, extreme-performance storage for your Thunderbolt-enabled computer. With sustained transfer rates up to 480MB/s, the drive also gives you two Thunderbolt ports for easy daisy-chaining and future external storage expansion. http://www.g-technology.com/products/g-drive-pro-thunderbolt
October 24, 2013, 10:01 AM
http://digitalfilms.wordpress.com/2013/10/24/offli...
Most NLE makers are pushing the ability to edit with native camera media, but there are still plenty of reasons to work in an offline-to-online editing workflow. Both Apple Final Cut Pro X and Adobe Premiere Pro CC make it very easy to do this. Apple Final Cut Pro X Apple built offline/online right into...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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