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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Films That Influenced a Sound Design Master

July 22, 2019, 10:05 AM

http://manhattaneditworkshop.blogspot.com/2019/07/...

(Courtesy of Filmmaker U Blog - go to https://bit.ly/2SwWwpO)There are a lot of things that go into mastering a craft. Hours of practice, mastery of your tools, numerous mistakes to learn from, and years of experience that pushes you to become a better craftsperson. You also need to explore and learn from your colleagues work to see how others have tackled something differently than you might have approached it, so you can be influenced and intellectually challenged.We sat down during a br...

Trasco de noche, sincro de día y otras experienci

July 22, 2019, 06:00 AM

http://saeditores.org/Novedades/Trasco-de-noche-si...

La Comisión de Cultura y Desarrollo Profesional de la SAE presenta el curso Trasco de noche, sincro de día y otras experiencias en el trabajo de Asistencia de Edición, dictado por Josefina Llobet (SAE-EDA) y Luciana Sternberg (SAE-EDA).

PixelTools: powerful time-saving presets for DaVin

July 19, 2019, 02:08 PM

https://www.claytonasbury.com/blog/pixeltools-colo...

We all want to save time when color grading in Davinci Resolve and PixelTools PowerGrades Collection lets you create unique and adjustable looks quickly.

#color grading#davinci resolve#post production#filmmaking
Plugin Everything: intuitive and time-saving plugi

July 19, 2019, 10:41 AM

https://www.claytonasbury.com/blog/plugin-everythi...

Plugin Everything is an After Effects plugin company whose business is born from a single thought, “This could be easier.”

#vfx#after effects#plugins#post production#motion graphics
‘Lion King’ VFX Supervisor Rob Legato Among Vi

July 19, 2019, 06:15 AM

https://variety.com/2019/biz/news/lion-king-vfx-ro...

Rob Legato, VFX supervisor for "The Lion King" and "The Addams Family" co-director Conrad Vernon added to View Conference speakers.

3D of a different kind: paper sculpting with Megan

July 19, 2019, 06:15 AM

https://beforesandafters.com/2019/07/19/3d-of-a-di...

All this week we’ve been featuring 3D artists as part of #3dartistsrock week. And, not unexpectedly, these have so far been of the CG kind. But one artist still working in ‘3D’, just of the paper variety, is Megan Brain, a paper sculptor whose work has been seen in a number of music videos, commercials and in Kubo and the Two Strings.

Han Yang on finding new 3D workflows for The Lande

July 18, 2019, 05:50 AM

https://beforesandafters.com/2019/07/18/han-yang-o...

When 3D artist Han Yang posted work in progress stills and then a trailer for his personal project, The Lander, he received much acclaim for the look of this Predator-inspired short. But, in addition, he captivated viewers by explaining his mix of V-Ray and Unreal Engine in lighting and rendering the film.

Colorist Gregory Reese joins a52 Color team

July 18, 2019, 05:50 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Gregory Reese has joined the recently-established, stand-alone grading and finishing studio a52 Color (www.a52.com/color). Reese established a name for himself over the course of eight years as a colorist at The Mill. He has colored a spectrum of commercials for athletic brands, including Nike and Reebok, as well as campaigns for Audi, Apple, CoverGirl, GMC, Progressive and Samsung. 

4 Films Every Colorists Should See from Filmmaker

July 17, 2019, 09:56 AM

http://manhattaneditworkshop.blogspot.com/2019/07/...

 4 FILMS EVERY COLORIST SHOULD SEE (Courtesy of Filmmaker U Blog - go to https://bit.ly/2XUKur4)Mad Max: Fury Road is continuously referred to as a stunningly beautiful film. John Seale, the cinematographer, was nominated for an Oscar and colorists everywhere were looking at Eric Whipp’s work on the film as a triumph for color correction. With so many people looking to Eric’s work as a colorist for inspiration, we decided to ask him what films he feels every colorist must-see.  Aft...

a52 Color adds colorist Gregory Reese

July 16, 2019, 12:26 PM

https://postperspective.com/a52-color-adds-coloris...

Colorist Gregory Reese has joined LA-based grading and finishing studio a52 Color, which is led by executive producer Thatcher Peterson and includes colorists Paul Yacono and Daniel de Vue. Reese comes to a52d Color after eight years at The Mill. While there he colored a spectrum of commercials for athletic brands, Continue reading → July 16, 2019 The post a52 Color adds colorist Gregory Reese appeared first on postPerspective.

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