It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 25, 2014, 07:48 AM
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November 25, 2014, 07:48 AM
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It is clear from the buzz in forums that many people are obsessed about having Vimeo offer 4K, whether it be the UHD (Ultra HD) version or the larger DCI version. However, there is something much more urgent for Vimeo to support, which is both easier and a higher priority than either of the 4K requests because it immediately affects many more video producers who already have multiple years of footage, and countless more viewers already own a proper screen for it.
November 25, 2014, 07:46 AM
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New Bullet constraints, new Match Perspective tool, new version numbering - and new lower price.
November 24, 2014, 07:33 PM
http://www.redsharknews.com/technology/item/2192-w...
A guide to understanding the Cloud and how it can benefit your production business or TV station
November 24, 2014, 07:33 PM
http://www.premiumbeat.com/blog/tips-shooting-like...
Discover 7 pro tips for better film and video shoots. The post Tips for Shooting Like an Editor appeared first on The Beat: A Blog by PremiumBeat.
November 24, 2014, 07:33 PM
http://www.avidblogs.com/production-and-post-produ...
The article Production & Post Production Forum 2014: The State of British Television by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
November 24, 2014, 03:30 PM
http://www.digitalrebellion.com/blog/posts/how_to_...
Sometimes it is necessary to protect video content against unauthorized redistribution. Here's an overview of the main ways of doing this.Visible WatermarkingThis involves placing text or a logo over the video to show the name of the company owning the content.ProsSimple and freeDoesn't require specialist software to create or viewIts obvious visibility provides a deterrentDifficult to remove if placed in an area that cannot be cropped outConsDisrupts the movieDoes not provide any physical...
November 24, 2014, 12:44 PM
http://www.premiumbeat.com/blog/cut-demo-reel-will...
A killer demo reel is the biggest asset you have when trying to pick up work in the film industry. Unfortunately though, many talented directors, DPs and editors don’t understand what it takes to cut a great reel, and end up losing work because of it. The post How To Cut A Demo Reel That Will Land You High Quality Work appeared first on The Beat: A Blog by PremiumBeat.
November 24, 2014, 12:43 PM
https://www.videoguys.com/Blog/E/G+Technology+G+SP...
The new G-SPEED Studio 4-bay, along with the G-SPEED Studio XL 8-bay and G-RAID Studio 2-bay, characterizes HGST G-Technology's new Studio line of customizable media-oriented attached storage devices. The G-SPEED Studio, with its maximum capacity of 24TB (using four 6TB 7200RPM HGST HDDs), delivers a reported transfer speed of 700MB/s and can handle multi-stream compressed 4K and 2K workflows in both pre- and post-production. The entire Studio line is designed to embody the minimalism commo...
November 24, 2014, 12:42 PM
http://www.sonicscoop.com/2014/11/24/pro-sound-eff...
There may be no more beautifully benevolent bundle in the world of audio then the Hybrid Library from Pro Sound Effects. Created specifically for freelance sound designers and independent media creators, the Hybrid Library puts $10,000 worth of sounds into the hands of qualifying freelancers for just $1500.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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