It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 2, 2017, 04:41 PM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Chris’s guest for this ridiculously entertaining episode is Erick Schiele. Erick and Chris worked together at architectural studio Gensler, and then followed similar career paths into visual effects, with Erick working on “Sky Captain and the World of Tomorrow,” “Stealth,” “2012,” and “Iron Man 2.”
January 2, 2017, 12:42 PM
http://www.indiewire.com/2017/01/ilm-john-knoll-st...
For John Knoll, ILM’s Oscar-winning VFX supervisor (“Pirates of the Caribbean: Dead Man’s Chest”) and chief creative officer, the making of “Rogue One” — the first “Star Wars” standalone film, which he created — offered more freedom than any other project.
December 31, 2016, 07:27 AM
http://www.artofvfx.com/in-the-heart-of-the-sea-vf...
Have a look at this VFX breakdown by Scanline VFX about their work on IN THE HEART OF THE SEA...
December 30, 2016, 05:59 AM
http://www.doddlenews.com/news-room/how-ilm-brough...
There’s a huge debate going on among movie fans, and Star Wars fans specifically, if digitally resurrecting an actor to craft a new performance in a film is ethical. And that is a conversation to have, but technologically, how did ILM, Lucasfilm and Disney actually bring Peter Cushing back from the grave to cast the evil shadow of Grand Moff Tarkin in Rogue One? And will it become a more common occurance?
December 28, 2016, 03:29 PM
http://www.mettle.com/how-to-make-a-360-video-from...
Charles Yeager (yeagerfilm.com) shows us how to take a regular After Effects project file, and turn it into a 360 video. He starts with an asteroid project file that he created 3 years ago using Element 3D, and converts it into 360 video using “SkyBox Composer” a new module in SkyBox Studio V2.
December 28, 2016, 07:31 AM
https://www.fastcocreate.com/3066736/insider-insig...
Framestore VR Studio creative director Resh Sidhu on the questions, challenges, and creative opportunities in VR storytelling.
December 27, 2016, 07:01 AM
http://www.studiodaily.com/2016/12/at-exceptional-...
Founded in 2011, Exceptional Minds is a vocational school with a difference. Based in Sherman Oaks, CA, the digital arts school and studio educates autistic adults for careers in media and entertainment. That goal may be lofty, but it is … more » The post At Exceptional Minds, Autistic Students Learn VFX and Animation appeared first on Studio Daily.
December 26, 2016, 08:28 AM
http://www.cinemablend.com/news/1604310/the-batman...
The magic of today's visual effects is that you often never know it's actually there. The truth is that some of the action sequences in the biggest movies of the year existed only in a computer screen. Take, for example, a wide variety of sequences in Zack Snyder's Batman v Superman: Dawn of Justice.
December 26, 2016, 08:27 AM
http://www.cgmeetup.net/home/zhongkui-vfx-breakdow...
Mcrograph presentsx”Zhongkui” 2015 making.
December 25, 2016, 07:39 AM
http://feedproxy.google.com/~r/ItsAliveInTheLab/~3...
We have time off from December 23, 2016 through January 2, 2017. We'll get back to responding to your technology preview feedback up our return. Happy Holidays. As a scientist with a Catholic upbringing, I find archaeology associated with Jesus... (...)
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.