It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 19, 2014, 02:59 PM
http://aframe.com/blog/2014/12/review-of-the-year-...
Relive the moments, feature updates and global events that defined the year. January: One area that dominated the New Year schedules for Aframe was Digital News Gathering – ahead of another summer of sport we released a whitepaper on how to solve the complex issues of fast-turnaround News & Sports production. For further information on... Read More
December 19, 2014, 02:58 PM
http://www.electronista.com/articles/14/12/19/devi...
CalDigit has launched the Thunderbolt Station 2, a new Thunderbolt 2 dock. Like some alternatives, the dock includes two Thunderbolt 2 ports, three powered USB 3.0 ports, and connections for HDMI, Ethernet, and audio input/output. Two eSATA 6G ports are also present, supporting storage formats not normally enabled by a Thunderbolt dock.
December 19, 2014, 09:51 AM
http://bosfcpug.org/blackmagic-design-announces-te...
Major new software for Teranex standards converters includes centralized control of all Teranex features, plus new 12G-SDI to Quad 3G-SDI conversions up to 2160p60 on Teranex Express
December 19, 2014, 09:50 AM
http://www.tuaw.com/2014/12/19/caldigit-announces-...
CalDigit makes some amazingly fast disk drives and arrays, usually featuring fast Thunderbolt or Thunderbolt 2 connections to speed your data back and forth. Today the company announced the CalDigit Thunderbolt Station 2 (US$199.99, pre-order for $169.99), a new docking station that goes a bit further than the Belkin Thunderbolt 2 Express Dock HD we reviewed earlier this month.
December 19, 2014, 09:50 AM
http://www.artofvfx.com/?p=10392
Nice VFX breakdown by BlueBolt about their work on THE IMITATION GAME...
December 19, 2014, 06:11 AM
http://videoandfilmmaker.com/wp/index.php/news/sou...
Academy Award nominated sound designer Beau Borders‘ twenty year career reads like a Hollywood blockbuster ‘best of’ list. He has mixed sound on major studio releases such as Titanic, Armageddon, Lord of the Rings: Return of the King, Transformers, Captain America: The First Avenger, Iron Man 3, Lone Survivor and the soon to be released Foxcatcher, starring Channing Tating and a heavily made up Steve Carell – just to name a few.
December 19, 2014, 06:10 AM
http://www.btlnews.com/awards/contenders-sound-edi...
The coming-of-age saga, Boyhood, was shot for several days every year for 12 years. Tom Hammond, the sound supervisor and re-recording mixer, has worked many times with the director, Richard Linklater. Although Hammond was on the film from the start of production through the final mix, and key crew generally returned on an annual basis to do their part, sometimes schedules did not sync and new crew joined the team. This was the case with the production sound mixers on the film. Ethan Andrus ...
December 19, 2014, 06:10 AM
http://www.fcp.co/final-cut-pro/articles/1572-usin...
Mark Spencer is a busy guy. Not only does he produce tutorials, appear on MacBreak Studio and write plugins for FCPX, he also edits! In this article he tells us how on a recent job he used a multicam workflow and Final Cut Pro X to get a conference post produced in minimum time.
December 19, 2014, 06:10 AM
http://provideocoalition.com/kmcauliffe/story/medi...
You settings are exceptionally important inside of Media Composer. They are what are going to give you access to all the bells and whistles that will make the difference between a slow edit and unhappy client, to a fast edit, and an exstatic client!
December 19, 2014, 06:10 AM
https://digitalfilms.wordpress.com/2014/12/19/phot...
I’m back again this year with another post about stylizing photography. Thanks to Adobe’s Creative Cloud subscription model, the interest in alternatives to Photoshop has increased. One application I ran across this year was Pixlr, which has been picked up by Autodesk. Free PC and Mac versions are available at their website and through the Mac App […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.