It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 24, 2019, 09:54 AM
https://postperspective.com/editing-for-short-form...
By Karen Moltenbrey Unlike features or series even, short-form projects such as commercials give the editor the opportunity for a fresh start with each new job. Indeed, some brands have a specific style that they adhere to, but even so, there is a good deal of creative flexibility placed in the hands of the editor. Continue reading → June 24, 2019 The post Editing for Short Form appeared first on postPerspective.
June 24, 2019, 09:53 AM
https://postperspective.com/editing-for-features/#...
By Karen Moltenbrey When editing a feature film, the cutter can often feel as if he or she is assembling a puzzle, putting together a plethora of pieces, from the acting, to the lighting, to the production design, and turning those raw elements into a cohesive, comprehensive story. With so much material to sort through, Continue reading → June 24, 2019 The post Editing for Features appeared first on postPerspective.
June 24, 2019, 09:52 AM
https://www.provideocoalition.com/after-effects-cl...
In the previous post, we focused on the Hue/Saturation effect – but at the end, we briefly mentioned the Color Balance HLS effect which would seem to cover the same territory. Well, it actually has quite a different look. The following movie compares the two head-to-head: Since we created those movies, a new effect appeared that... The post After Effects Classic Course: Hue/Saturation vs. Color Balance HLS appeared first on ProVideo Coalition.
June 23, 2019, 07:19 AM
https://www.provideocoalition.com/first-steps-on-t...
In July of 2019 it will be fifty years since man first set foot on the earth’s only natural satellite. On July 20th it would also be the most viewed event in television’s brief history as Neil Armstrong stepped off the Lunar Module onto the dusty surface of the Sea of Tranquility. It was an... The post First Steps On the Moon appeared first on ProVideo Coalition.
June 19, 2019, 12:28 PM
https://postperspective.com/londons-media-producti...
By Mel Lambert The fourth annual Media Production Show, held June 11-12 at Olympia West, London, once again attracted a wide cross section of European production, broadcast, post and media-distribution pros. According to its organizers, the two-day confab drew 5,300 attendees and “showcased the technology and creativity behind content creation,” focusing on state-of-the products and services. Continue reading → June 19, 2019 The post London’s Media Production Show: technology for ...
June 19, 2019, 06:00 AM
https://www.cinema5d.com/red-giant-vfx-suite-relea...
Today, Red Giant Software released the latest addition to their already impressive collection of effects and grading suites. The Red Giant VFX Suite offers 9 freshly coded effects for immediate use in Adobe After Effects. Four of the nine also work in Premiere Pro. And all these effects can be tweaked and tailored to your specific needs, of course.
June 19, 2019, 05:59 AM
https://www.provideocoalition.com/review-red-giant...
Red Giant Software has been developing After Effects plugins for over 15 years, and today they’ve launched their newest product. The brand new Red Giant VFX Suite is comprised of nine individual After Effects plugins, including an updated Primatte Keyer and the latest version of Knoll Light Factory. The new VFX suite replaces the older Keying... The post REVIEW: Red Giant VFX Suite appeared first on ProVideo Coalition.
June 18, 2019, 12:56 PM
https://postperspective.com/review-red-giants-vfx-...
By Brady Betzel If you have ever watched After Effects tutorials, you are bound to have seen the people who make up Red Giant. There is Aharon Rabinowitz, who you might mistake for a professional voiceover talent; Seth Worley, who can combine a pithy sense of humor and over-the-top creativity seamlessly; Continue reading → June 18, 2019 The post Review: Red Giant’s VFX Suite plugins appeared first on postPerspective.
June 18, 2019, 12:55 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
In 1996, critic Laurie Halpern Benenson, writing for the New York Times, called Nina Saxon “one of the most sought-after designers in the business” and it was true: some years, she could barely keep up with demand. Beginning in 1980 and working well into the 2010s, Saxon lent her titling talent to more than 200 films and TV series, working with directors including Robert Zemeckis, Martin Scorsese, Lasse Halström and Michael Lehmann. Her compelling visions and iconic graphics can b...
June 18, 2019, 06:16 AM
https://deadline.com/2019/06/the-umbrella-academy-...
'The Umbrella Academy' VFX Supervisors explain how a talking chimpanzee was brought to life for Netflix superhero series.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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