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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

SFX Independence – September 2014 (Part 1)

September 29, 2014, 04:56 AM

http://designingsound.org/2014/09/sfx-independence...

It has been a little while since the last SFX Independence post. So many new sfx libraries have come to our attention during that time that this roundup comes in two parts, designed to make it more digestible. Part 2 will follow later in the week.

The pros and cons of adding a 4K display to your M

September 29, 2014, 04:55 AM

http://www.macworld.com/article/2598045/really-big...

Monitors that stretch the width of your desk are so last year. Rob Griffiths decided he wanted to try something new: a 4K high-density screen.

Adjustment layers sobre backgrounds

September 29, 2014, 04:53 AM

http://finalcutargentina.blogspot.com/2014/09/adju...

Si bien Final Cut Pro X no posee el equivalente a las capas de ajuste, o Adjustment Layer, un título vacío creado en Motion puede utilizarse para tal propósito ya que todos los efectos y transformaciones que le apliquemos van a afectar a todo lo que tenga por debajo.Uno de los tantos que ha publicado gratuitamente este título, para aquellos que no tienen Motion o prefieren descargarlo en lugar de crearlo, es Alex4D: http://blog.alex4d.com/2012/03/19/adjustment-layer-fcpx-effect/Una limi...

Introducción al FCP | EDA

September 29, 2014, 04:52 AM

http://finalcutargentina.blogspot.com/2014/07/intr...

Les dejo este enlace de EDA (Asociación Argentina de Editores Audiovisuales) sobre la charla que di sobre Final Cut Pro X en el Distrito Audiovisual de la Ciudad de Buenos Aires organizada junto a ellos.http://edaeditores.org/introduccion-al-fcpx-julio-2014/Introducción al FCPXEl sábado 19 de julio realizamos el encuentro de “Introducción al Final Cut Pro X” en el que se desplegaron algunas herramientas introductorias para usuarios de FCP7 y otros softwares de Edición No Lineal. La ...

LaCie 8big Rack Thunderbolt 2 Review

September 28, 2014, 02:09 PM

http://www.storagereview.com/lacie_8big_rack_thund...

LaCie has brought their design, performance, and Mac compatibility to another niche; rackmount direct attached storage. Their debut rack DAS solution, the 8big Rack, is also the fastest and highest-capacity Thunderbolt 2-compatible device on the market.

ON THE COUCH – ep 19, part 3 – Ryan Burke (Rø

September 28, 2014, 07:48 AM

http://www.cinema5d.com/couch-ep-19-part-3-ryan-bu...

In the 3rd part of episode 19 of ON THE COUCH, we talk about the importance of audio on a shoot. After all, audio is 50% of a film, but nevertheless, it’s often neglected in shooting environments especially by cameramen who are concentrated on created compelling images by their very nature. Ryan Burke from Røde, Philip Bloom and George Olver from Movidiam.com and I engaged in a compelling conversation about the reasons for this problem and also the difficulties of convincing some clients on s...

Transcript: Digital Production Buzz – September

September 26, 2014, 05:07 PM

http://www.digitalproductionbuzz.com/2014/09/trans...

Digital Production Buzz September 18, 2014 [Transcripts provided by Take 1 Transcription] [Click here to listen to this show.] HOSTS Larry Jordan Michael Horton GUESTS Tom Bassett, Founder & CEO, Bassett Partners Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Rollo Wenlock, CEO, Founder, Wipster Michael Schiehlen, Director of Sales and Service, Zeiss Lenses ===  Voiceover: The Digital Production Buzz is brought to you b...

Review: iZotope RX 4

September 26, 2014, 05:06 PM

http://provideocoalition.com/wwoodhall/story/revie...

A few years back, audio plug in developer iZotope, changed the landscape of digital audio restoration with their groundbreaking software, RX. Several years and several iterations later they’ve released their latest and greatest restoration bundles yet - RX4 and RX4 Advanced. ...

Work for FREE!?!

September 26, 2014, 02:32 PM

http://animationguildblog.blogspot.ca/2014/09/work...

And, at the same time, pay for some college course or other where you can earn course credit so that this scam is legal.

Nvidia proves the Moon Landings were not a hoax

September 26, 2014, 11:28 AM

http://www.redsharknews.com/technology/item/2050-n...

45 years after the Apollo 11 astronauts landed on the moon, Nvidia has used its new "Maxwell" GPUs to prove that the images were not faked NvidiaGPUMaxwellGTX 970GTX 980ApolloMoon landingVoxels

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