It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 28, 2014, 09:57 AM
http://roosterpost.wordpress.com/2014/10/28/editor...
“We Don’t Care” is the name of the latest spot for Appleton Estate Jamaican Rum out of BBDO Toronto. The commercial was created by Joel Pylypiw & Chris Booth and was produced by Beatrice Bodogh. Christina Humphries’ edit brings a … Continue reading →
October 28, 2014, 09:54 AM
http://www.creativebloq.com/digital-art/how-draw-h...
We asked Toni Foti – the American illustrator who works on Star Wars and The Lord of the Rings lines for D&D and Fantasy Flight Games – how to paint a hairy, tattooed arm. Here's what he had to say...
October 28, 2014, 04:42 AM
http://www.edaeditores.org/entrevista-juan-carlos-...
EDA: ¿Cómo nace tu relación con el cine? El montaje, la realización… J.C. Maneglia: La verdad es que yo soy un enamorado del cine desde que tengo uso de razón. Tenía 5 años cuando mi papá vino a la Argentina, compró un proyector Cinegraf, era un proyector así medio de lata que proyectaba como un […]
October 28, 2014, 04:40 AM
http://www.content-technology.com/asiapacificnews/...
The Australian population of 23 million is small relative to landmass. With so few viewers to attract, competition for viewership is fierce among the five free-to-air broadcasters that serve the island nation. Among these terrestrial broadcasters, Nine Network was the first to hit the air. Based in Sydney, it has a rich history stretching back to 1956.
October 28, 2014, 04:40 AM
http://www.asoundeffect.com/outstanding-sound-blog...
In my series highlighting some of the outstanding sound blogs out there, the time has come to introduce Noise Jockey. Run by Nathan Moody, it offers an interesting, personal and engaging blend of posts on field recording, sound design and musical experiments.
October 28, 2014, 04:39 AM
http://animationguildblog.blogspot.ca/2014/10/disn...
When I'm looking for something pithy, I rely on President Emeritus Sito.
October 27, 2014, 09:36 AM
http://designingsound.org/2014/10/the-making-of-th...
In this second and final article I will discuss microphone patterns, recording device pre amp settings, editing and the final mastering phase of this collection. Before I dive into all the technical mumbo jumbo I want to express that when I’m setting up and actually recording thunder and lightning I get quite excited.
October 27, 2014, 04:43 AM
http://blogs.adobe.com/richardcurtis/?p=3761
Hollywood blockbuster Gone Girl was edited entirely in Adobe Premiere Pro CC. The workflow used by David Fincher and his post-production team offers insights into the evolution of filmmaking today. Working interactively, with editorial and visual effects tightly linked, the team was able to shape the 6K source footage into a cinematic masterpiece. Hear how they did it. Watch the behind the scenes interveiew here LEARN MORE about the Adobe Creative Cloud pro video tools: http://a...
October 27, 2014, 04:42 AM
http://www.animatorisland.com/2-ways-to-make-hand-...
Today we have two little tweaks for you that are guaranteed to make your hand poses more interesting to look at. Find out how to break symmetry by grouping the fingers and spice up the shapes by mixing angles in these illustrated examples.
October 27, 2014, 04:38 AM
http://www.fxguide.com/quicktakes/it-is-your-desti...
The opening to Bungie’s Destiny takes place where astronauts discover The Traveler, an object that gamers will encounter later as they play. Prologue worked with Bungie to deliver this cinematic and we found out from some of the key team – directors Simon Clowes and Ilya V. Abulkhanov, CG supervisor Lee John Nelson, producer Armando Plata and FX supervisor Alan McKay how they did it – including a surprising practical shot.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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