It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 16, 2014, 04:22 PM
http://www.empireonline.com/features/steven-spielb...
ven as an adolescent filmmaker, Spielberg was always up for embellishing reality, be it through the crudest sleight of hand. To create explosions for wartime drama Escape To Nowhere, Spielberg dug two holes in the ground, put a balancing board loaded with flour between them which was then covered with foliage.
October 16, 2014, 04:21 PM
http://www.edaeditores.org/charla-de-musicalizacio...
El último sábado 11 de Octubre se realizó una nueva charla mensual gratuita para reflexionar sobre distintos aspectos del montaje. En esta ocasión, Eric Kuschevatzky expuso sobre introducción a la musicalización para cine y publicidad y se explayó sobre el término “spotting” ante una sala “Agusto R. Cortázar” colmada en la Biblioteca Nacional. Eric inauguró […]
October 16, 2014, 04:18 PM
http://www.techspot.com/news/58465-apple-imac-5k-r...
Following the announcement of the iPad Air 2, iOS 8.1 and OS X Yosemite, Apple unveiled the new 27-inch iMac with Retina display. Described as the next step in Retina technology, it boasts what the company calls a Retina 5K display with a massive 5120 x 2880 resolution or 14.7 million pixels. According to Apple, that’s 7 times more pixels than your typical 1080p HDTV and 67% more pixels than 4K, making it “the world’s highest resolution display.”
October 16, 2014, 04:17 PM
http://www.creativeplanetnetwork.com/news/produce/...
Co-directed by Martin Scorsese and his longtime documentary collaborator David Tesdeschi, the HBO documentary The 50 Year Argument tells the history of the venerable magazine, New York Review of Books.
October 16, 2014, 11:49 AM
http://www.alex-buono.com/how-we-did-it-snl-titles...
…And we’re back! After a much-needed summer hiatus, it’s that time of the year again when my comrades in the SNL Film Unit all reconvene on the 17th floor of 30 Rockefeller Plaza for another season of filmmaking speed-drills.
October 15, 2014, 08:15 AM
http://finalcutargentina.blogspot.com/2014/10/stup...
Story Pop es un generador de títulos para Final Cut Pro X que simula la escritura en una pizarra, para lo que tiene 448 elementos diseñados con sus respectivas animaciones.El proceso es simple, aunque debe hacerse agregando un elemento por vez. Esto es, para escribir un texto hay que agregar tantos títulos como caracteres posea el mismo. A pesar de ello, se pueden conseguir buenos resultados en muy poco tiempo. Mucho menos de lo que tomaría animarlo en Motion o en After Effects.Además d...
October 15, 2014, 08:14 AM
http://www.fcp.co/final-cut-pro/articles/1521-how-...
This video from Terence Curran explaining the basics of colour correction got us thinking. How do you colour correct in FCPX?
October 15, 2014, 08:13 AM
http://thefilmstage.com/news/the-art-of-voiceover-...
As the year draws closer to its end, it’s becoming clear we can’t trust certain Italian distributors, but hopefully by 2015 we’ll see at least one of Terrence Malick‘s upcoming films. In the meantime, however, it’s time to take a look at one of the defining aspects of his filmography: the use of voiceover. Last year, The Dissolve‘s Scott Tobias and Kevin B. Lee teamed for a video essay on the subject and it’s now making the rounds as of late.
October 15, 2014, 04:40 AM
http://journaldunemonteuse.wordpress.com/2014/10/1...
À la fin du visionnage des rushes, la réalisatrice se retourne vers moi et me dis : « alors… En ayant vu tout ça, tu penses qu’il y a de quoi faire un film ? » Je suis encore assommée par le … Lire la suite →
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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