It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 16, 2019, 06:18 AM
http://saeditores.org/Novedades/Ana-Godoy-recibio-...
En el marco del 21° BAFICI, Ana Godoy recibió el Premio al Mejor Montaje de Película de la Competencia Oficial Argentina por su tarea en la película La vida en común, dirigida por Ezequiel Yanco.
April 16, 2019, 06:17 AM
https://postperspective.com/behind-the-title-ps260...
This editor’s path began early. “I was the kid who would talk during the TV show and then pay attention to the commercials,” he says. Name: Ned Borgman Company: PS260 Can you describe your company? PS260 is a post house built for ideas, Continue reading → April 15, 2019 The post Behind the Title: PS260 editor Ned Borgman appeared first on Randi Altman's postPerspective.
April 15, 2019, 06:28 AM
https://beforesandafters.com/2019/04/15/how-do-you...
Amazon’s The Man in the High Castle is the story of an alternative early 1960’s in which World War II ended differently, and the United States has been divided into the Greater Nazi Reich and the Japanese Pacific States. For the show’s visual effects team, that premise created the need to help devise imagery – such as locations, vehicles and events – that appeared to be of historical accuracy.
April 14, 2019, 06:12 AM
https://www.provideocoalition.com/art-of-the-cut-w...
Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars: The Empire Strikes Back; Ferris Bueller’s Day Off; Planes, Trains and Automobiles; Mission: Impossible; Ray; and The Mummy among many, many others in a career that goes back 50 years. We spoke about a wide range... The post ART OF THE CUT with Oscar winner, Paul Hirsch, ACE appeared first on ProVideo Coalition.
April 14, 2019, 06:11 AM
https://beforesandafters.com/2019/04/14/the-small-...
We are SO close to the final season of Game of Thrones that I thought I’d re-publish this short story from vfxblog back from season 7.
April 14, 2019, 06:11 AM
https://www.provideocoalition.com/art-of-the-cut-w...
Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars: The Empire Strikes Back; Ferris Bueller’s Day Off; Planes, Trains and Automobiles; Mission: Impossible; Ray; and The Mummy among many, many others in a career that goes back 50 years.
April 14, 2019, 06:11 AM
http://collider.com/shazam-composer-interview-benj...
If ever a superhero movie called for an adventurous score, it’s Shazam!. The DC Comics adaptation it literally about a kid becoming a superhero, and director David F. Sandberg’s film is abundant with joy, wonder, and opportunity. To that end, when it came time to composing the film’s score, Sandberg enlisted his frequent collaborator Benjamin Wallfisch to draw from classic adventure films of the 80s, particular of the Amblin variety. The result is a score that wholly embraces the wish fulf...
April 12, 2019, 06:33 AM
https://beforesandafters.com/2019/04/12/how-stop-m...
When you think of stop-motion animated films, you think of artists meticulously hand-animating a puppet, snapping a frame, and doing that for hours or even days for a shot that might only last seconds on screen. But with films from Laika, that can often be just the start of the process of bringing a shot to life. This is because the studio also makes significant use of visual effects in the form of CG characters, set extensions and clean-up work in creating the final frames.
April 12, 2019, 06:33 AM
http://www.cgchannel.com/2019/04/thinkinetic-relea...
Thinkinetic has released Pulldownit 4.5 for 3ds Max, the latest version of its shattering and dynamics plugin.
April 12, 2019, 06:33 AM
https://beforesandafters.com/2019/04/12/ilms-rob-b...
It’s not every day that the visual effects supervisor for a film is also the author AND the photographer of that film’s ‘making of’ book. But that’s exactly the case with Industrial Light & Magic Presents: Making Solo: A Star Wars Story, for which VFX supe and co-producer Rob Bredow documented the process of making the Ron Howard film with rare first-hand access.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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