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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

USB 3.1 Type C Connectors to Support Display Ports

September 23, 2014, 12:36 PM

http://www.legitreviews.com/usb-3-1-type-c-connect...

NEWARK, CA (22 September 2014) – The Video Electronics Standards Association (VESA), working in liaison with the USB 3.0 Promoter Group, today announced the publication of the DisplayPort Alternate Mode (“Alt Mode”) on USB Type-C Standard. Using the DisplayPort Alt Mode, a USB Type-C connector and cable can deliver full DisplayPort audio/video (A/V) performance, driving monitor resolutions of 4K and beyond, SuperSpeed USB (USB 3.1) data and up to 100 watts of power–over a single cable. T...

TMNT: Pablo Helman – VFX Supervisor – ILM

September 23, 2014, 12:35 PM

http://www.artofvfx.com/?p=9407

Before joining ILM in 1996, Pablo Helman has worked on films like APOLLO 13 or INDEPENDENCE DAY. At ILM, he worked on films such as MEN IN BLACK, DEEP IMPACT or SAVING PRIVATE RYAN. As VFX Supervisor he took care of movies like TERMINATOR 3: RISE OF THE MACHINES, WAR OF THE WORLDS, INDIANA JONES AND THE CRYSTAL SKULL or BATTLESHIP.

Alejandro Brodersohn (SAE) ganó el Premio al Mejo

September 23, 2014, 12:33 PM

http://saeditores.org/Novedades/Alejandro-Broderso...

Del 12 al 19 de septiembre, en la Ciudad de San Juan se desarrolló el 3er Festival Internacional Unasur Cine. En la Competencia Oficial Internacional Ficción se entregó el premio Mejor Montaje ex aequo a Alejando Brodersohn (SAE) por Refugiado y a Gianfranco Annichini por El Mudo...

Color Grading Video to Match a Photo

September 23, 2014, 09:34 AM

http://daredreamermag.com/2014/09/23/color-grading...

Ever see a cool photo and think “I wish I could color my films look like that?” Well, for the most part, you can. I want to quickly show you how I used a photograph from a recently family photo shoot to be the base for a film I made for my wife as an anniversary gift. Here’s the film:

Visual Effects Studio Atomic Fiction Expands in Mo

September 23, 2014, 09:34 AM

http://www.hollywoodreporter.com/behind-screen/vis...

VFX studio Atomic Fiction — formed four years ago in the Bay Area with projects including Robert Zemeckis’ Flight — has settled into its second base, Montreal.

Remixing Cinema with Soderbergh, Spielberg, and Me

September 23, 2014, 04:33 AM

http://kyleesportfolio.com/blog/?p=1733

Today, one of my favorite directors, Steven Soderbergh, posted a really great blog about “staging” in film, which is meant to mean how all the elements of a scene work together to tell a visual story. To illustrate his point, … Continue reading →

Cowboy (1958)

September 23, 2014, 04:33 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I thought I was gonna ride with some men. You're just a bunch of animals.” — Frank Harris Author Pat Kirkham discusses the opening titles for Cowboy, from her authoritative book Saul Bass: A Life in Film and Design.Cowboy is based on the real-life story of a former hotel clerk turned tenderfoot cowboy (Jack Lemmon) who joins a cattle drive led by a tough trail boss (Glenn Ford). Set...

Newsletter – AGM and Nomination Information

September 22, 2014, 09:49 AM

http://www.cceditors.ca/newsletter-agm-and-nominat...

AGM information with nominations – http://eepurl.com/3FP-n If you are not receiving the newsletter, please sign up at the bottom of our home page: http://www.cceditors.ca/

Creating The Boxtrolls by Hand

September 22, 2014, 09:48 AM

http://www.thecredits.org/2014/09/the-many-influen...

The Boxtrolls is a stop-animation fable directed by Anthony Stacchi and Graham Annable about the foul monsters who live beneath the cobblestone streets of Cheesebridge. The deal with this Victorian-era hamlet is that it’s obsessed by money and class, a posh place where the air is redolent with the stench of fine cheese. Chesebridgeians love their cheese, so this is exactly what the villainous Boxtrolls prey on—at night, they crawl out from their dank, fetid sewer homes and steal the resident...

Impatience

September 22, 2014, 04:49 AM

http://journaldunemonteuse.wordpress.com/2014/09/2...

Ce matin mes doigts frétillent. J’ai trop envie d’aller sculpter de nouvelles formes et de nouveaux reliefs, dans cette nouvelle masse qu’est le film en pleine naissance ! C’est excitant un film en train de naître. Ce matin donc, ce … Lire la suite →

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