To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
ASE FEATURED IN ‘CINEMAEDITOR’ MAGAZINE
April 25, 2018, 04:02 AM
https://www.screeneditors.com.au/ase-featured-in-c...
A conversation with film and TV editor Brian A. Ka
April 24, 2018, 12:41 PM
http://postperspective.com/a-conversation-with-fil...
By Amy Leland In 2004, Manhattan Edit Workshop began a four-week editing workshop for aspiring professional editors. In 2006, it became their six-week workshop. During the six weeks, the students receive training on the most-used editing tools of the industry. They are also given a chance to explore the art of editing. Continue reading → April 24, 2018 The post A conversation with film and TV editor Brian A. Kates appeared first on Randi Altman's postPerspective.
Mesa en el 20° BAFICI: *Edición y cine independi
April 24, 2018, 06:01 AM
http://saeditores.org/Novedades/Mesa-en-el-20-BAFI...
El domingo 25 de abril, dentro del Área Profesional del 20º BAFICI, tuvo lugar la charla Edición y cine independiente, que la SAE organizó en conjunto con EDA (Asociación Argentina de Editores Audiovisuales). Moderada por Mariano Saban (EDA), la charla estuvo a cargo de Lautaro Colace (SAE) y Lucía Torres (EDA), y se desarrolló en una de las salas del Complejo Village Recoleta...
Lautaro Colace (SAE) recibió el Premio al Mejor M
April 24, 2018, 06:00 AM
http://saeditores.org/Novedades/Lautaro-Colace-SAE...
En el marco de la entrega de premios del 20° BAFICI, Lautaro Colace (SAE) recibió el Premio al Mejor Montaje de Película de la Competencia Oficial Argentina, por su trabajo en el documental Esto no es un golpe, dirigido por Sergio Wolf...
Creative editorial and post boutique Hiatus opens
April 24, 2018, 06:00 AM
http://postperspective.com/creative-editorial-post...
Hiatus, a full-service, post production studio with in-house creative editorial, original music composition and motion graphics departments, has opened in Detroit. Their creative content offerings cover categories such as documentary, narrative, conceptual, music videos and advertising media for all video platforms. Led by founder/senior editor Shane Patrick Ford, Continue reading → April 23, 2018 The post Creative editorial and post boutique Hiatus opens in Detroit appeared first on Ra...
Post TV at NAB 2018: Western Digital
April 19, 2018, 12:48 PM
http://www.postmagazine.com/Video-Center/Gallery/P...
Western Digital’s Erik Weaver sits down with Post’s Marc Loftus at NAB 2018. This year’s show marked the first time all of the company’s brands were represented in the same space.
The Biased Editing of 'Big Little Lies'
April 19, 2018, 12:48 PM
https://filmschoolrejects.com/biased-editing-big-l...
“Editing is unique to film,” Stanley Kubrick told Rolling Stone in 1987. “You can see something from different points of view almost simultaneously, and it creates a new experience.” Big Little Lies director Jean-Marc Vallée certainly agrees. Throughout the series, Vallée uses editing as a passageway into characters’ points of view, subjectively portraying objective realities. In his detailed and insightful video essay “Editing & Empathy in Big Little Lies,” Mzak explores how Val...
Marc Langley cuts the latest White Spot brand crea
April 19, 2018, 04:59 AM
https://roosterpost.wordpress.com/2018/04/18/marc-...
Working from dawn ’til dusk is something editor Marc Langley is familiar with. This new brand commercial for White Spot and 123w features “A Day In The Life” of White Spot and its customers. Marc worked with Untitled Films director Mark Gilbert to beautifully weave together some iconic White Spot/BC moments. Brand: White Spot Title: […]
Watch the NAB Debut of ProRes RAW with Atomos on t
April 18, 2018, 04:31 AM
http://www.fcp.co/final-cut-pro/articles/2066-watc...
The week before NAB 2018, Apple announced a new version of Final Cut Pro X with support for closed captions, and the brand new ProRes RAW codec. In the announcement, Atomos and DJI were listed as the first two companies to support capture of the ProRes RAW codec. In the first of the video presentations from the Faster Together stage at NAB, Jeromy Young debuts ProRes RAW.
Secret Genius for Spotify FCPX Workflow
April 18, 2018, 04:30 AM
http://www.fcpworks.com/spotify-fcpx-workflow/
In this exclusive interview, FCPWORKS chats with Ben Jehoshua from Brian Graden Media. Ben recently directed the debut season of Secret Genius, a Spotify documentary series about singer-songwriters. The project was also the first piece of original video content for Spotify and was produced using Final Cut Pro X and Lumaforge’s Jellyfish.
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Editing The Black Lady Sketch Show
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