It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 12, 2014, 11:27 AM
https://journaldunemonteuse.wordpress.com/2014/09/...
Délester le film de son poids superflu… me voilà qui jette par dessus bord ce qui pesait… parfois un plan, parfois une séquence… plouf ! J’enlève parce que ce n’est pas assez fort ou pas aussi fort que le reste. … Lire la suite →
September 12, 2014, 04:44 AM
Last Sunday, August 3 we celebrated the Class of 2004 Accreditee's in Sydney at the Lord Dudley Hotel, Woollahra and in Melbourne at The King of Tonga Hotel, Elwood. The Sydney event had a fantastic turn out, attended by Alexandre De Franceschi ASE, Nicholas Holmes ASE, Andrea Lang ASE, Fiona Strain ASE and Kim Moodie ASE.
September 11, 2014, 08:49 AM
http://filmmakermagazine.com/87431-five-questions-...
With the recent Berberian Sound Studio and now The Editor, we’re in a bit of a giallo revival. Or, more accurately, the gory, gloriously art decorated Italian horror thrillers of the 1970s have inspired a new generation to pay homage in the form of their own meta-commentaries. Interestingly, Peter Strickland’s Berberian Sound Studio and this year’s Toronto-premiering The Editor both feature post-production crew as their protagonists. In Berberian Sound Studio, it was a foley artist; in The...
September 11, 2014, 03:45 AM
http://animationguildblog.blogspot.ca/2014/09/co-p...
Shanghai Hippo Animation Design and Australia’s Vue Group are expanding their 3D animation co-venture.
September 11, 2014, 03:45 AM
http://animationguildblog.blogspot.ca/2014/09/disn...
Goldman Sachs held its Communicopia Conference today, and Disney Chief Financial Officer Jay Rasulo held forth on what strategic moves the Mouse has been making lately, and why (transcript from Seeking Alpha)...
September 11, 2014, 03:44 AM
http://www.animationmagazine.net/events/tac-offers...
The 11th edition of The Animation Conference (TAC) will be running alongside this year’s Ottawa International Animation Festival, taking place in the Canadian capital September 17-19 at the Fairmont Chateau Laurier. Taking advantage of North America’s largest animation event, TAC invites members of the artistic and business communities involved in animation to engage in unique networking opportunities.
September 10, 2014, 04:07 PM
http://cinefex.com/blog/practical-creature-effects...
Ah, was there ever a question more likely to raises the hackles of fans of old-school special effects? Or to cause a look of blank bemusement to cross the face of the average moviegoer? Ever since Jurassic Park, argument has raged over which is better: a CG dinosaur or its mechanical equivalent? Whenever the issue is raised, emotions run high; discussing it at all is only marginally safer than poking a nest of snakes.
September 10, 2014, 09:50 AM
http://www.cceditors.ca/the-editor-for-the-canadia...
The Editor Review By Parker Mott !The tricky thing about parody is that it must have a deep affection for the targeted genre, and at the same time reserve space for a certain creative distance. With too much of the former, parodies tend to lose that slight (but necessary) belittlement quality and ultimately become way-
September 10, 2014, 04:37 AM
http://journaldunemonteuse.wordpress.com/2014/09/1...
Délester le film de son poids superflu… me voilà qui jette par dessus bord ce qui pesait… parfois un plan, parfois une séquence… plouf ! J’enlève parce que ce n’est pas assez fort ou pas aussi fort que le reste. … Lire la suite →
September 10, 2014, 04:37 AM
http://twainthestoryteller.com/frame-of-reference-...
Emily Chiu hates writing bios, she feels the 3rd person aspect is very strange, but she’s gonna play ball. Emily is originally from Las Vegas, she now resides in Los Angeles. A long time feature assistant editor, she has had the privilege of working on films like “Her” and “Don Jon”. As an editor she has […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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