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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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http://www.redsharknews.com/production/item/766-he...

You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains...

How do I make subsequences?

June 3, 2013, 04:39 AM

http://avidassteditor.com/2013/06/02/how-do-i-make...

In true Avid fashion, there are two ways to make subsequences.  Once you have set IN and OUT points, you can do either: Click and drag the sequence icon from the Record Monitor to a bin -OR- After mapping the Make Subclip function to your keyboard or workspace, press or click the Make Subclip button. [...]

Why FCPX's killer feature may be yet...

June 3, 2013, 04:37 AM

http://www.fcp.co/final-cut-pro/news/1144-why-fina...

Mike Fernandes' article on using Final Cut Pro X on the Emmy winning George to the Rescue is one of our most popular ever posts...

Archiware

June 3, 2013, 04:36 AM

http://splicevine.com/archiware/

Archiware's P5 software allows users to synchronize, backup and archive data on Mac, Windows, Linux and Solaris. At NAB this year, Archiware debuted P5. In doing so, it also dropped the old PresSTORE monicker from it's modules: Synchronize, Back Up, Backup2Go...

DropSync

June 3, 2013, 04:36 AM

http://splicevine.com/dropsync/

DropSync is a tool for keeping folders on different computers or different hard drives in sync. For quick one-off video projects, you may not need the complexity of a formal back up and archive system. You may just need to ...

Become a Better Editor by Learning...

June 3, 2013, 04:32 AM

http://www.screenlight.tv/blog/2013/05/01/become-a...

Some might say that admitting a mistake is weak. In reality, it's a great indicator of a solid, confident editor.

Free Gift for Every Reader

June 3, 2013, 04:31 AM

http://www.screenlight.tv/blog/2013/05/23/free-gif...

Whoever sows sparingly will also reap sparingly, and whoever sows generously will also reap generously.

Seagate Wireless Plus

June 3, 2013, 04:30 AM

http://splicevine.com/seagate-wireless-plus/

The Seagate Wireless Plus hard drive allows you to extend the storage for your media devices and expand...

Metadata Foundations

June 3, 2013, 04:30 AM

http://splicevine.com/metadata-foundations/

Philip Hodgetts book, Conquering the Metadata Foundations of Final Cut Pro X might be NLE specific...

Why the Cloud frees up Adobe

June 2, 2013, 01:58 PM

http://walterbiscardi.com/why-the-cloud-frees-up-a...

Had a great discussion tonight with a bunch of colleagues and one particular topic was brought on by a small statement that Al Mooney said last night at the Atlanta Cutters meeting. It was something along the lines of as a publicly traded company, Adobe was legally unable to continually provide updates to the...

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